A Quote by John Oliver
I get nostalgic for British negativity. There is an inherent hope and positive drive to New Yorkers. When you go back to Britain, everybody is just running everything down. It's like whatever the opposite of a hug is.
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There is an inherent hope and positive drive to New Yorkers.
As guilty and fun as it is to go through a drive-thru and get a cheeseburger or whatever, I just feel like you can make your own burger at home. You know what's going into it. You know where it came from. And it's just easy to go back and forth to those drive-thrus. Just kick that habit!
It was just weird. Once you get the ball and you get in a situation, it's like haywire, everything goes crazy, and everybody's running around. You don't know who to pass it to or what to do. So Coach said just slow down and just make the right play. I tried to get the best look I could at the basket.
A New York doctor has finished a five year study on what smells have the biggest effect on New Yorkers. The smell New Yorkers like the most: vanilla. The smell New Yorkers like the least: New Jersey.
I live in L.A. so I worry my kids aren't that connected to Britain, I suppose I don't want them to become American kids. We try to get back three or four times a year. When they go to school they speak with a British-American accent but when they come home to us they go back to their British accent.
I live in LA so I worry my kids aren't that connected to Britain, I suppose I don't want them to become American kids. We try to get back three or four times a year. When they go to school they speak with a British-American accent but when they come home to us they go back to their British accent, so I can deal with that.
I came to London during what was called the second British invasion. The music was from Britain, the fashion was from Britain, everything was from Britain, so I knew I had to be in Britain.
At the end, what I like is that it's the girl's decision to go back in the room. She needs a hug, she wants a hug, she asks for a hug and he gives it to her. For me, it's like an act of resistance to go there and to transgress the taboo and to do what started the whole thing in the beginning. It was supposedly a hug that started this whole drama between the character of Simon and the teacher.
I gotta go through, like, a little routine when I wake up in the morning to get everything functioning and ready to go. But, the only thing is everything just goes back to gridlock so fast once I sit down, 'cause you know you go to work again.
It's like I'll sit down and put my hands on the piano or the guitar, and then I'll hear a sound or I'll feel a chord that will resonate and then I'll get something happening in my voice. My voice is like a car that I get into and drive but I don't know where I'm going. And I record everything. And often, I sort of get into a state, a creative state that is, where I'm just feeling around melodically, and playing things off the top of my head. Then I go back and listen to it and for the first time, hear what I just did. It's like Elvis has left the building while the thing is happening.
I'm not running from the left; I'm running from the bottom. I'm running in fierce advocacy for working-class New Yorkers.
Navratri represents how the negativity can be conquered by the inherent positive qualities in us.
People would say, 'Can I hug you?' And I would say, 'Yes, you can hug me! We're fellow New Yorkers!'
When I'm in New York, I bike everywhere. I have a couple of bikes stored over at Ed Norton's. It's the only way to go. But in Hawaii, I drive. I have a little Volkswagen Bug, from the 'Drive it? Hug it?' phase. I run it on biodiesel.
But nothing on this earth is guaranteed, when you get right down to it, you know ? I've been thinking about that. About how your kids aren't really YOURS, they're just these people that you try to keep an eye on, and hope you'll all grow up someday to like each other and still be in one piece. What I mean is, everything you get is really just on loan. Does that make sense?" Sure,"I said. "Like library books. Sooner or later they've all got to go back into the nightdrop.
I'm a little old-fashioned - I like it when the man opens the door and I like it when a man pays for me. I particularly like it when they pay for dinner or whatever, because I've pretty much done the opposite, but for the exception of James [Taylor], where we split everything down the middle. I've been the larger money earner in practically all of my relationships. There's equality and there are positive differences, which are complimentary.
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