A Quote by John Otto

Sometimes the band can't fully hear your fill, so they come in differently. So I've also learned not to really step out too much, because you sacrifice the band when you do that.
It's impossible to tell how you're perceived. I think it's important not to think about it too much, because it really means nothing. Some people think we're a rock band, and that's ridiculous, and the idea of us being a folk band - you sit in a pub in Ireland and hear those guys play, and you're like, 'Yeah, we're definitely not a folk band.'
I enjoy playing with a big band occasionally, but it's too restricting; you really don't have a chance to stretch out and do what you want to do. Getting that thing of relating to a large band is great experience; I relate much better, though, if it's a small band.
I pretty much built a band out of the most incredible guys I could possibly find. I didn't really want a six-piece band, but it just ended up being a six-piece band because these guys are all awesome.
I generally prefer to come in to the studio with a fully written song and then work on the arrangement with the band. Sometimes even the arrangements are pretty much already worked out in my head, but other times we experiment.
There's always a Van der Graaf audience that wants to hear the band's sound. And totally fair enough. Why not? It's a band. You like the band, you like the band.
I think that everybody that's coming out to Warped Tour, when they come to see the show, they're always like; let's go see that band that band that band and... that girl. I think that I tend to be that girl sometimes and I think that it's cool that I get to hang out with this Summer camp of smelly boys.
I'm not going to say I'll never rock with a band, because I'm too much of a fan of the aesthetic of a great band. But a girl group? Not again.
You don't accidentally turn into a big band. Not even Nirvana accidentally turned into a big band. They toured - they wanted to become a big band. They didn't necessarily want to become that big of a band, but they still wanted to make a really good record and wanted to come out and tour.
Music is made to be heard, whether you hear it in concert, you hear it on the radio, or you hear it in your car. It's not for two people to sit in a closet and go, 'That's my band, the only band I've ever heard, and I'm the only person that's going to hear it.'
I was in every band class I could get in, like after school jazz band and marching band, and that's where I really learned to read music from elementary all the way through junior high and high school.
I was in a rock band; I was my own folk singer; I was in a death metal band for a very short time; I was in a cover band, a jazz band, a blues band. I was in a gospel choir.
I never thought of us as a punk band, a metal band, or a new wave band. Just as a band band.
When the band were really big and we had massive hits, I was always stressed-out and insecure. I thought I wanted the band to be really popular, but when that happened, there was so much pressure to keep it going.
I've learned that you can call it a band, but unless everyone is contributing, it's not, really. It's pretending that it's a band.
Being a part of a band is easier to brainstorm, and it's fun - you're encouraged and inspired by the others. In this band, it's especially that way for me, because they're my favorite musicians - they've been my favorite musicians for so long, and I get to play with them now. A lot of times onstage, I'm overcome with admiration or something, which also means that you need to step up, you need to really bear down to match the level of musicianship or artistry. It's really challenging.
How far is too far? When you love a band so much that its songs fill the empty spaces inside your head and heart, is that too far?
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