A Quote by John Patrick Shanley
When I visited Ireland with my father and heard the people on the farm talking, I couldn't believe the gift of language they had. I felt very untalented.
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I know it was a gift from God. My father was a preacher and my mother worked in churches all her life. My father had a very deep bass sounding voice and my mother had an in-between soprano voice. Not great singers, but they had great tones to their voices. I think that had a lot to do with it. Also, I really believe my voice was a gift from God. I believe if you take care of it, He will help you take care of it.
I've found that the chief difficulty for most people was to realize that they had really heard new things: that is things that they had never heard before. They kept translating what they heard into their habitual language. They had ceased to hope and believe there might be anything new.
My great-grandfather, Peter O'Hara, was born in Ireland, I believe, in County Clare. His father, my great-great-grandfather, had actually come to America a generation before when times were very bad in Ireland. He worked in the Pennsylvania area and did well with horses and farming.
I visited Krakow about 10 years ago, and when you're named Krakowski, you are very welcomed. I loved every minute of it. They had 'Ally McBeal' on Polish TV. People offered to drive us out to our family's farm.
I have lived in Ireland, visited all my life, and when I fight, I represent Ireland.
I don't think we in Ireland have to follow slavishly what other countries have done. Ireland has its own strengths - in family life, in the local community, in the concept of meitheal, a very traditional form of cooperation in rural Ireland. Three or four or five neighbors get together, exchanging labor, farm equipment, and so on. There are strong solidarity overtones. That tradition is being translated today into community self-development.
My father had a very simple view of life: you don’t get anything for nothing. Everything has to be earned, through work, persistence and honesty. My father also had a deep charm, the gift of winning our trust. He was the kind of man with whom many people dream of spending an evening.
The language was not a big problem because my English was getting better every year. So, I really felt comfortable and I had trust in myself, you know, talking to people. Even though I know I was making mistakes, I still kept talking. So that's how I learned English.
My parents broke up when I was six. Before, I was a very active, naughty child, but after my father left me, I stopped talking. I became very good at hiding my emotions. I felt so ashamed of telling others that I didn't have a father, because that was not common in the 1960s.
I've always felt a bit hard done by in England - you know, I've won the Bisto three times in Ireland, but it has felt like nobody has even heard of me in my home country.
In places where a loved one has died, time stops for eternity. If I stand on the very spot, one says to oneself, like a prayer, might I feel the pain he felt? They say that on a visit to an old castle or whatever, the history of the place, the presence of people who walked there many years ago, can be felt in the body. Before, when I heard things like that, I would think, what are they talking about? But i felt I understood it now.
I felt my father's presence with me, helping me to commit to paper the feelings I had. I really heard my father speaking to me from the other dimension.
I felt my father's presence with me, helping me to commit to paper the feelings I had. I really heard my father speaking to me from the other dimension
I felt when I was elected that the most important task on this island [Ireland] was to extend the hand of friendship right across the board to the people of Northern Ireland, to have the beginnings of a real peace process. In consequence, although I have no role in intergovernmental talks or political discussions, that would be my very top priority.
I've always been very politically interested from a very young age and I hadn't felt that was something I could begin to bring into my songwriting because I hadn't felt I'd reached the stage, that I had the skill with language enough, yet, to do that.
My father worked in a factory and as a child it felt very secure. It felt very secure because everybody had work, the schools were free, so there was a security of knowing that the war had finished and families would come together again.
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