A Quote by John Paul Caponigro

Through the experience of art, the powers of perception and transformation can be awakened, in both those who create it and those who re-perceive it. — © John Paul Caponigro
Through the experience of art, the powers of perception and transformation can be awakened, in both those who create it and those who re-perceive it.
That authentic experience that happens both in the artist and in the audience you can classify as a mystical experience. You can classify it as aesthetic shock, or even a psychedelic experience. Some people seek to recreate that experience through drugs. But the other way that you can do it is through art, and through spectacle. We have those experiences when we go to rock shows, or when we listen to a piece of classical music, or read a particular poem, or see a painting.
Chemistry comes about through the transformation of earth, air, fire and water. All chemistry is just movement within those things, and so we experience the joys and the sorrows of hot and cold, and dry and moist, because of these chemical transformations. In a similar way, we create and experience a world of time, space, motion and energy, through our intuitions, our thoughts, our sensing and our feeling.
Power is the thing that holds a band of perception together, and a band of perception is life for those who perceive in that band. If the band of perception were to go away, they would not exist.
Humans create their cognitive powers by creating the environments in which they exercise those powers
If the ego is in the slightest way separated from its source, it yearns to find it again. This search comes from the remembrance of unity and plenitude. As every experience emanates from the non-experience which is our real being, the me also bears the scent of its source. This remembering is awakened through those moments of desirelessness and in deep sleep.
The images of Myth are reflections of Spiritual and Depth potentialities of every one of us. Through contemplating those we evoke those powers in our own lives to operate through ourselves.
Every work of art causes the receiver to enter into a certain kind of relationship both with him who produced the art, and with all those who, simultaneously, previously, or subsequently, receive the same artistic impression. Art is a human activity- that one man consciously by means of certain external signs, hands on to others feelings he has lived through, and that others are touched by these feelings and also experience them.
The true teachers and educators are not those who have learned pedagogy as the science of dealing with children, but those in whom pedagogy has awakened through understanding the human being.
Memory is therefore, neither Perception nor Conception, but a state or affection of one of these, conditioned by lapse of time. As already observed, there is no such thing as memory of the present while present, for the present is object only of perception, and the future, of expectation, but the object of memory is the past. All memory, therefore, implies a time elapsed; consequently only those animals which perceive time remember, and the organ whereby they perceive time is also that whereby they remember.
Coherently democratic authority carries the conviction that true discipline does not exist in the muteness of those who have been silenced but in the stirrings of those who have been challenged, in the doubt of those who have been prodded, and in the hopes of those who have been awakened.
Everyone should know nowadays the unimportance of the photographic in art: that truth, life, or reality is an organic thing which the poetic imagination can represent or suggest, in essence, only through transformation, through changing into other forms than those which were merely present in appearance.
A gold standard is the ideal monetary system for those who create wealth through ingenuity, entrepreneurship, and hard work. Gold standards are disfavored by those who do not create wealth but instead seek to extract wealth from others through inflation, inside information, and market manipulation.
The function of criticism is the reeducation of perception of works of art? The conception that its business is to appraise, to judge in the legal and moral sense, arrests the perception of those who are influenced by the criticism that assumes this task.
I feel like strength comes from within. And like everything that I am and experience make you strong. And I've been through so many things in my life and those things have taught me. I'm one of those girls, every experience, I learned from my experience.
Those people that don't see the power in art maybe have never been a part of an art, in a real way. To experience it, and to see and witness how it affects people, we're not doing it just to create professionals. It's to add another dimension to the way that children think and the way they experience certain things. If you didn't have dance, music and singing, it just seems so odd to me.
The term "intellect" includes all those powers by which we acquire, retain, and extend our knowledge; as perception, memory, imagination, judgment, and the like.
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