A Quote by John Paul Caponigro
Photographs are never records of the way things are; they're records of the way things were.
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My dad would play me all of these records: Miles Davis records, John Coltrane records, Bill Evans records, a lot of jazz records. My first exposure to music was listening to jazz records.
We have signed with Artemis Records. Originally they were our distributor for 'Group Therapy'. My former manager (Chip Quigley) started a record label (Recon Records) and had Artemis Records as their distributor. Unfortunately, the way the label was run meant that it didn't turn out the way that we thought it was going to be. We simply got into something that was different to what we initially thought
I've put out records over the years, whether it's with Blackfield or No-Man or Bass Communion or Porcupine Tree, that are pop records, ambient records, metal records, singer-songwriter records.
The records are black boxes for me. Like, if you want to know who I am, my views, my perspective, things I love, things I hate, my convictions, my anthems. I've never let people's opinions affect the way I write.
Yes; my brother Bobby used to distribute records at King Records. I had a job there, too, packing records up and shipping them off. But I always wanted to play sessions at Stax, so I figured out a way to do it.
I know most of my records are real good but I know that there are definitely things I would've changed at the end of the day. I work on things forever, and there are things I wish I didn't do, but ultimately I know the records are good. I kind of let go of big expectations, maybe because hopefully that means if I don't have them, that it'll do really well, but you just never know.
Oh, I will always be honest with my music. The records are black boxes for me. Like if you want to know who I am, my views, my perspective, things I love, things I hate, my convictions, my anthems. I've never let people's opinions affect the way I write.
When I was a bit older I had all of the George Carlin records, all of the Steve Martin records, all of the Cheech and Chong records and all of the Richard Pryor records.
Very good records exist about the Trail of Tears. Journals and other records kept by Cherokees and non-Indians tell such things as which people were where on which day.
Being a guy who was a geek with tape machines in the early days and really interested in how records get made, I was inspired in particular by how the Beatles were innovating when they were making those records late in their career while using the studio in a maximal way.
Wray's FBI is stonewalling on Clinton email investigatory materials, Strzok-Page texts, Comey records, McCabe records, FISA court abuse records, Spygate records.
I'm a fan of records you get and you listen to them from beginning to finish - records where everything is there for a purpose. There was never any filler on those records - it was all well planned out.
Island Records was the first record label to... acknowledge me. After that, quickly, Republic Records, and then Atlantic Records, Sony Records and Warner Bros. It was all the labels at once. It was absolutely insane, like, knowing that this many record labels were interested in me.
All my records were dance-oriented, and all the hassle with major labels about changing my records, release dates, videos - everything was out of my hands. I always had to deal with somebody else, and I had a different perspective on a lot of things.
The things I'm saying in my records are always me. I write about things in my life that I'm experiencing. When you hear the personal meaningful records that aren't about partying, they stem from my life.
Sometimes I'd hear things on other people's records and I say I wanted it on my records, but Leslie Kong said, no, it wasn't right and that it wasn't my style.
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