A Quote by John Petrucci
I'm a hopeless tone chaser!I love it and get into the whole thing.
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I just see many, many untruthful things. I see tone, the word tone. The tone is such hatred. I'm really not a bad person, by the way.The tone is such - I do get good ratings, you have to admit that.
I like bold statements. I'm very nearsighted, and I'm terrible at the whole contacts thing. I figured, 'Why not get some glasses that are fun, that contrast with my skin tone and brighten things up.'
The whole thing is quite hopeless, so it's no good worrying about tomorrow. It probably won't come.
You can make a little thing feel like a big thing. To me, it's all tone. Tone is the most important thing in the world. Then character, then story, or something like that.
I think another [myth] is that some marriages are just hopeless. This is a common thing I hear from people, "Well, I just think there are some marriages that are hopeless, Dr. Chapman, don't you agree with that?" I say I understand the feeling, but the fact is that there are no marriages that are hopeless.
In order to produce learned fear, you take a neutral stimulus like a tone, and you pair it with an electrical shock. Tone, shock. Tone, shock. So the animal learns that the tone is bad news. But you can also do the opposite - shock it at other times, but never when the tone comes on.
I'm not going to be a name chaser. I just love to fight.
The Specials used to be my style icons. I was obsessed with them and the whole 2-Tone thing was a good look for me.
I don't have writer's block, really. I do have times when I can't get the lead, and that is the only part of the story which I have serious trouble with. I don't write a word of the article until I have the lead. It just sets the whole tone - the whole point of view.
I'm a hopeless romantic. It's disgusting. It really is. I've seen 'While You Were Sleeping', like, twenty times, and I still believe in the whole Prince Charming thing.
Yeah, I mean, I think I'm obsessed with tone in the movies. Tone has always been the main thing that I go after with a movie.
Love all God’s creation, both the whole and every grain of sand. Love every leaf, every ray of light. Love the animals, love the plants, love each separate thing. If thou love each thing thou wilt perceive the mystery of God in all; and when once thou perceive this, thou wilt thenceforward grow every day to a fuller understanding of it: until thou come at last to love the whole world with a love that will then be all-embracing and universal.
And so, in terms of setting the right tone and finding a way of presenting all of these things, that creates a cohesive whole and doesn't alienate the audience, is tough. That's a challenge. And I think the tone of a lot of shows is discovered through experimentation and actually making it. Eventually, it starts to cohere.
Music is very helpful, not just for the actors, but the whole crew and myself. It gives you the tone of the scene. Everyone is focused on the tone of the scene when we are shooting, and we are having an emotional reaction to the music immediately.
I had a strong vision for 'The Best Man Holiday,' so I was able to translate that to the actors and ultimately to the screen. Things can't get too heavy or too outrageously funny; it has to strike a balance. Tone is everything. If you've set the right tone, you can get away with a lot of stuff. You can get away with making people cry.
If I play a video game, I have to get through the whole thing. Like, when the new 'Resident Evil' comes out, I have to sit and do the whole thing. It will consume my life. I'm at a point where I don't have much time to play around anymore, so I don't really get started on the games if I won't be able to finish them.
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