A Quote by John Petrucci

Going to the Grammys, being nominated for a Grammy, that was a really big deal for me, for us as a band. — © John Petrucci
Going to the Grammys, being nominated for a Grammy, that was a really big deal for me, for us as a band.
My first single I was nominated for a Grammy with 'Crank That,' and I lost a Grammy to Kanye West, but it was still such a big deal for me to be nominated anyway.
I think the hardest part of being in the band and trying to make it is waiting, you know? I think, to be fair, if we would have gotten a big break early on, it would have been wasted on us. All of that perseverance you often learn by failing. We went from barely being able to book anywhere to being nominated for Grammys. It's a snowball effect that happens to a lot of bands. I think the hardest part is having a side job: bussing tables, bartending, and waiting tables to make ends meet. Sometimes they are really worth doing, because one day things might actually work out in your favor.
I've always said I can't tell sometimes that people even have an album out until I see them nominated for a Grammy. I think country gets dumped on across the board by the Grammys.
We just couldn't seem to get the love from the Nashville awards shows... So Grammys really gave us validation, and so that's why they're such a big deal for us.
I was in a bluegrass band. I made two records with a band called the SteelDrivers. They were nominated for two Grammys. I then I was in a rock band called the Junction Brothers; we made kind of '70s hard rock music.
As a kid, I dreamed of being nominated for a Grammy.
I understand that artists and critics make a big deal over the Grammys. But when I go to my shows and I'm selling out arenas in London, and when I'm in Australia and Japan, there aren't any Grammys there. There are human beings who I've touched. There are human beings who are inspired by me, who I love dearly. And that's what my career is based on.
Getting nominated for a Grammy is as high as it gets for us.
People don't seem to care about convictions any more. When I was a teenager, the deal was that, y'know, you had a band that you were really loyal towards, almost to a fault, and you stayed really loyal to that band. That was the whole thing, that was such a big deal.
I had been told by so many people that I was going to be nominated, that I should be nominated, that there wasn't any question about my being nominated. I don't think it was a surprise.
I think that it feels really good to be recognized in a sense of being nominated for Grammys and things like that, but part of it is, we spent a lot of time on our own making music: seven or eight years and nobody really paid attention. It feels good. We also learned to not pay too much attention to things like that, and I think it made us stronger.
Being nominated is a great thrill, and we like to say that all four of us were nominated, which means that our director, Anthony Page was nominated four times.
It was a big deal for us to be on Ozzfest, especially as one of the main headliners and being the band that wasn't announced: the mystery band. We'd never played the second stage at Ozzfest, and all of a sudden we're on the main stage.
We got nominated for a Grammy, that was really crazy, and I was sitting there and Stevie Wonder was on stage and I remember thinking "Wow, I really need to take [singing] more seriously!"
When I was nominated for a Grammy, my label dropped me - I have a wariness about trying for a hit.
We don't compete with the Grammys. The Grammys compete with us. They have taken the stance that anybody who performs on 'The American Music Awards' cannot appear on 'The Grammys.' I don't agree with that philosophy.
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