A Quote by John Petrucci

As teenagers, we used to listen to entire Rush albums, entire Pink Floyd albums and shut down the lights and it was great. — © John Petrucci
As teenagers, we used to listen to entire Rush albums, entire Pink Floyd albums and shut down the lights and it was great.
When I listen to a band like Pink Floyd, I don't know the names of the individual songs, I know the full albums. That's what we want for our albums.
I got into music by happenchance and luck and wearing a t-shirt with "I hate Pink Floyd" on it. The irony has never failed to amuse me ever since because I didn't hate Pink Floyd at all! And yet you have an entire range of people out there believing that the best thing you can do in life is to hate Pink Floyd. Come on, It's because it's the world I live in!
On the musical side, I always wanted to kind of carry on Pink Floyd's sound. You know, Pink Floyd always had such an original, creative and masterful sound, but there are no new albums. My thought was that there's a way to keep their sound alive.
I really love crafting albums and thinking of albums as a whole, not just individual songs or singles or just tracks, but a whole entire album.
I grew up listening to albums by Pink Floyd, Led Zeppelin and Jimi Hendrix, and they all worked on that multi-layered level.
I like expansive stuff that has a lot of space in it, like some of the early Pink Floyd albums.
Some of my favorite records growing up were Christmas albums. The ones I liked best were the albums that you could listen to from start to finish. You could put them on while you're decorating the tree or driving around looking at Christmas lights.
I started running to different albums, and I was starting with the short albums and moving on to the longer albums. I was interested in how they built up, in tempo and intensity. it made me interested in albums again, too.
I find the fact that so few people buy albums to be strangely emancipating. There's absolutely no reason for 99% of musicians making albums to think about actually selling albums. So as a musician you can just make an album for the love of making albums.
So by the time the 60s rolled in that became a huge art form in its own right with bands like the Beatles and the Rolling Stones and Hendrix doing total concept albums, same thing with Pink Floyd.
Guy Picciotto had a really sound point: Live albums basically have bands playing songs that are available on studio records, and what example can you think of where the live album is better? What are the great live albums? I have live albums of bands, but I wouldn't listen to them for the most part. So we thought, instead of spending energy trying to puzzle out how to create a live record, let's just write another studio record.
I'm a Syd Barrett fan, and early Pink Floyd, and then about two things from the rest of their career. I don't like them, really. I mean, I like the psychedelic stuff. I listen to the first albums, and even on those, they go off and off and off. Songs that are 20 minutes long. I don't like long songs.
Albums are great but for an artist like me, I don't think albums are the way to go.
Growing up in New Orleans, when you're in seventh and eighth grade, and you're into music, and you're a dorky dude, you know, you listen to the entire Rush catalog and the entire Zeppelin catalog, and you go through these, like, phases of classic rock.
I just liked stand-up comedy so much. I used to memorize Bill Cosby albums and other people's albums, George Carlin, Flip Wilson.
Pain is definitely a genius in his own right. 'Thr33 Ringz' is definitely one of my top 10 albums. It's one of those albums you listen to front-to-back.
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