A Quote by John Petrucci

Dream Theater has never been a band that hit at a particular fashionable point and said, 'OK, that's basically it.' — © John Petrucci
Dream Theater has never been a band that hit at a particular fashionable point and said, 'OK, that's basically it.'
We've never been a musically fashionable band. We've been successful, but I think that has something to do with us never following the trends.
I went to theater school but never really got the chance to do theater, and it's always been a dream of mine.
When the band first formed, everybody had been sidemen. So they said, 'In this band there are no sidemen,' and when I joined the band, it was still the same. There were some power struggles emerging, because Henley and Frey had sung all the hits at that point.
I'm a very shy person, and I never tried to do theater. I've been asked many, many times by the most incredible authors in America to do theater. And I always said no, not knowing what it is to be on the stage and to do theater.
You can easily tell when someone has been hit by a spear. he turns a deep shade of bitter. David never got hit. Gradually, he learned a very well-kept secret... One, never learn anything about the fashionable, easily mastered art of spear throwing. Two, stay out of the company of all spear throwers. And three, keep your mouth tightly closed. In this way, spears will never touch you, even when they pierce your heart.
I think that there's a particular type of person who goes into children's theater, and then goes into theater in high school. There was something about the guys I knew in theater, we were all very vulnerable. You could tell that at some point we were made fun of.
We're real people and we're a band that's been playing on the scene for a long time. We've made a lot of friends, and one enemy we've always had was the NME. They've always basically slated us and they've basically never ever written about the music.
Smashing Pumpkins has never been a band about hit songs.
There's never been a particular band that I've followed religiously. But I do tend to listen to sadder music.
Acting had always been the social scene I'd fallen into. It was sort of a merry band of band geeks and theater nerds.
When I was 40, I wrote my first book, The Pilgrimage, and I said to myself, "why did it take so long for me to write this book?" Because my dream, since I was 10 years old, was to be a writer. I said, I have to revisit my life using a metaphor, and the metaphor was basically this boy that has a dream and has to go far away to realize that his dream is close to him.
I am the American Dream. I am the epitome of what the American Dream basically said. It said you could come from anywhere and be anything you want in this country. That's exactly what I've done.
2112' basically set the course for my musical career and how I approached Dream Theater.
There might have been guys with enough cajones to send over a drink. If I was hit on today maybe I just don't know it. I told my friend that I never get hit on and he's like, "You're crazy!" But as far as I know, no, I've almost never been hit on.
I was definitely Theater-Band Geek/Straight-Up Boss Subgroup C. I was really into band and theater and super into music at the time. I loved performing arts, and that would definitely be my group.
The thing with psychoanalysis is I know basically what happened in my childhood. I know where things went wrong and I know what my mother said at one point and what my father said at one point.
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