A Quote by John Philip Sousa
I forsee a marked deterioration in American musicand a host of other injuries to music in its artistic manifestations, by virtue—or rather by vice—of the multiplication of the various music-reproducing machines
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Basically my influences have been American influences. It's been blues, gospel, swing era music, bebop music, Broadway show music, classical music. It's like making a stew. You put all these various ingredients in it. You season it with this. You put that in it. You put the other in it. You mix it all up and it comes out something neat, something that you created.
My music must be an artistic reproduction of human speech in all its finest shades. That is, the sounds of human speech, as the external manifestations of thought and feeling must, without exaggeration or violence, become true, accurate music.
This is show business, and there's room for the shows and the personalities. But I think there's also room for music, for people to play music, and there seems to be an audience developing that's willing to go listen to music again, rather than just be blown away by drum machines and choreography.
Music is important. It says things you heart can't say any other way, and in a language everyone speaks. Music crosses borders, turns smiles into frowns, and vice versa. These observations are shared with a hope: that, when schools cut back on music classes, they really think about what they're doing - and don't take music for granted.
I wasn't making music for the sake of music but rather making music in the context of other music. At the same time, it doesn't mean I'm not going to try and do that some day.
Emotions of any kind are produced by melody and rhythm; therefore by music a man becomes accustomed to feeling the right emotions; music has thus the power to form character, and the various kinds of music based on various modes may be distinguished by their effects on character.
The blues. It runs through all American music. Somebody bending the note. The other is the two-beat groove. It's in New Orleans music, it's in jazz, it's in country music, it's in gospel.
I find that when you grow and evolve with music, the music understands you, and vice versa - whether or not the creator of that music knows.
In music, what is very important is temporality of space and length, based on the breathing space the director gives the music within the film, by separating the music from various elements of reality, like noises, dialogues... That's how you treat music properly, but it doesn't always happen this way. Music is often blamed, but it's not its fault.
I've been very lucky early on to be surrounded when I was a child by music from various countries. My parents would listen to a lot of music coming from other universes.
I always listen to music, my passion and vice is music, I will be denied access to heaven because of the number of CDs I own, and I have gluttony for all types and colours of music.
I've always been good about interfacing with machines. But that never seemed like a gateway to being able to make music. I never made the connection that music could be made with machines - that was what drum and bass was for me.
My early childhood memories center around this typical American country store and life in a small American town, including 4th of July celebrations marked by fireworks and patriotic music played from a pavilion bandstand.
Jazz I regard as an American folk music; not the only one, but a very powerful one which is probably in the blood and feeling of the American people more than any other style of folk music.
I'm not a comedian. I'm not a show host. I'm a musician. That's why I've turned down offers to host the Grammy Awards and the American Music Awards. Is it really entertaining for me to get up there and crack a few weak jokes and force people to laugh because I'm Michael Jackson, when I know in my heart that I'm not funny?
If anybody was Mr. Jazz it was Louis Armstrong. He was the epitome of jazz and always will be. He is what I call an American standard, an American original. ... I merely took the energy it takes to pout and wrote some blues. ... I don't need time, I need a deadline. ...There are two kinds of music. Good music, and the other kind. ... Music is my mistress, and she plays second fiddle to no one.
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