A Quote by John Pilger
I love irony in pictures. There's one photograph from Vietnam by Philip Jones Griffiths that shows a very large GI having his pocket picked by a tiny Vietnamese woman. It told the whole story of the clash of two cultures and how the invader could never win.
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Philip Jones Griffith documented the Vietnam War, and through his images that were published in Time Life Magazine, it showed me the horrors of war and at that time, I wanted to be a war photographer, based off his work.
How very sad it is to have a confiding nature, one's hopes and feelings are quite at the mercy of all who come along; and how very desirable to be a stolid individual, whose hopes and aspirations are safe in one's waistcoat pocket, and that a pocket indeed, and one not to be picked!
Inspiration,' the false artist says,'it just comes to me.' And it shows.His pictures are as like as the four walls of his room -- morning, evening, midnight, noon. For myself, I have to search for it. The whole world is your palate, but only if you reach, take hold of what you need and pocket it.
As you know, several times, McCain talked about serving his country in Vietnam, which is a nice change after 16 years and two presidents who could never quite explain how they got out of serving their country in Vietnam.
Vietnam is no longer a war, it's a country. I think that that's very important to understand. And the Vietnamese - last time a poll was taken, somewhere above 80 percent of Vietnamese people have a very positive outlook towards the United States.
Marcelo Garcia is one of those fighters who trains with no-gi, and is also great with gi. When you train with no-gi you actually get better with gi too. I am spending all the time on no-gi, so it becomes a different animal.
I try to express with the camera what the story is, to get to the heart of the story with picture. In battle I look at things first in terms of people, second in terms of strategies or casualties... To tell a story, you don't photograph one hundred dead civilians to prove there were one hundred dead civilians. You photograph one dead civilian with an expression on his face that says, This is what it's like if you're a dead civilian in Vietnam.
I probably get a deeper satisfaction of having taken a very good photograph than of having written something very good, a very good story. Maybe it's because the element of magic is so present in a good photograph - luck and magic, but also hard work and being ready and all that.
The Wonder Woman that you see in 'Batman v Superman' is a woman who has been around, and she's very experienced. She understands a lot about man. Whereas, in the standalone movie, we are telling the grown-up story, Diana becoming Wonder Woman, and this was a story that was never told before.
My favorite band of all time is The Clash. The thing I love about The Clash is they started out as guys who could barely play three chords. They dabbled in reggae, punk, rap, jazz. They came to a sound that could only be defined as The Clash. It was impossible to say what it was. I admire them for that.
Everything necessary to understand my grandfather lies between two stories: the story of the tiger’s wife, and the story of the deathless man. These stories run like secret rivers through all the other stories of his life – of my grandfather’s days in the army; his great love for my grandmother; the years he spent as a surgeon and a tyrant of the University. One, which I learned after his death, is the story of how my grandfather became a man; the other, which he told to me, is of how he became a child again.
The leading, the most respected Vietnam historian, military historian Bernard Fall -he was a hawk incidentally, but he cared for the Vietnamese - he said it wasn't clear to him whether Vietnam could survive as a historical and cultural entity under the most massive attack that any region that size had ever suffered. He was talking about South Vietnam, incidentally.
It was really great to be part of the Philip Roth story as a woman in a very complete way.
Last year I picked up the New York Times and there was a story about a kid from Dartmouth who was bragging that he never left his room, and made dates and ordered pizza with his computer. The piece de resistance of this story was that he had two roommates, and he was proud of the fact that he only talked to them by computer.
As far as cities, I love London. I go to London very often because I think the young people there are very creative. I also love New York, of course, and the clash of different cultures you find there.
With a woman I try to photograph her beauty; with a man I try to show his character. Once I photographed a man with a big nose (Jimmy Durante), and emphasized his nose, and he was very pleased with the picture. That could not happen with a woman. The most intelligent woman will reject a portrait if it doesn't flatter her.
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