A Quote by John Pinette

Opening for Mr. Sinatra in 1991 enabled me to do Vegas more as an opening act. I did the Superdome with him, probably nine arenas over a year and a half, and his second-to-last appearance at the Desert Inn in Vegas.
I did Nancy Sinatra in Vegas a number of times, and then the Sinatra family, when we did Frankie and the Muppets. Big show in Vegas.
For three years between 16 and 19 I was the opening-act-for-the-opening-act-for-the-opening-act, you know? And then I was on tour with Ice-T, Stetsasonic, EPMD, Sir Mix-a-Lot--legends--and went on to sell 160 million records. It still baffles me.
For three years, between 16 and 19, I was the opening-act-for-the-opening-act-for-the-opening-act, you know? And then I was on tour with Ice-T, Stetsasonic, EPMD, Sir Mix-a-Lot - legends - and went on to sell 160 million records. It still baffles me.
I go to Las Vegas--or at least I went to Las Vegas--because even though I knew everything that was sinister, calculating, and evil about it, I loved Las Vegas. Only in Vegas could I dare to fantasize that I was a Friend of Frank. Or that I was throwing the dice at Dino's favorite table. Or that I might luck out and sip bourbon with Rickles after his last lounge show. The D.I. oozed that kind of heady fantasy.
The last time I appeared in Las Vegas, they were wearing hoop skirts and Davy Crockett hats, ... But they say 'What happens in Vegas, stays in Vegas.' And as far as fashion is concerned, that's a good thing.
The good news is when you open up in Vegas, you have a lot of friends, because they all come over to see your opening night.
You have in Vegas the most heterogeneous audience you're gonna get anywhere in the country. In Boston, Chicago, Miami, you know who goes to the theater. In Vegas, you have people who only see one theater show a year, and it's in Vegas.
We have a great set-up in Las Vegas. I love being in Vegas; all our camps will be in Vegas. We are just going to spend more time in the U.K. in terms of fighting. But New Zealand will still be home for me.
I never envisioned that I would be able to bring something to the entertainment table that would fit Las Vegas. Vegas is so presentational; it's live theater and, for me, it's always been film or television, which isn't why people come to Las Vegas. So it's exciting to be apart of all of this, the thrust of the entertainment of Vegas.
While I was busy hating Vegas, and hiding from Vegas, a funny thing happened. I grew to love Vegas.
All my memories of being in Las Vegas with Bobby were great. Frank Sinatra brought us to the Sands Hotel in 1965. When we worked that lounge, it was a great lounge. I think it was bigger than the showroom. We were two 25-year-old dumb kids from Orange County in Las Vegas with The Rat Pack.
When I lived in Las Vegas, I was meeting everybody: Sammy Davis Jr., Frank Sinatra, Elvis Presley, Engelbert Humperdinck, Tom Jones - we won't go there - but all these people that were working in Vegas a million years ago, way before I was Elvira.
My road trips have been to Vegas, but you know, what happens in Vegas stays in Vegas.
For a degenerate like me, Vegas is like a walk down memory lane. Last time I went to Vegas, I went to my old coke dealer's kid's bar mitzvah.
In Vegas, you have an audience you can't find anywhere else. It's from all over the country. You play Seattle, everyone's from Seattle. But in Vegas, you have six from Seattle, a bunch from L.A., some local Las Vegans and maybe a farmer from Iowa. In Vegas, you learn the ins and outs of holding a room because of that great spectrum of folks.
I went with a friend to see Frank Sinatra in Las Vegas, in the last year that he was performing. He wasn't necessarily on top form, but the way he could connect with an audience and the way he communicated through the lyrics was something I hadn't ever really seen before.
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