A Quote by John Pinette

I started off doing impressions. It was a comfortable way to get started. — © John Pinette
I started off doing impressions. It was a comfortable way to get started.
I started performing non-professionally at birthday parties and family gatherings doing 'Saturday Night Live' impressions at four. Then I started for real at seven.
That's how it all started, when I met my wife. My music career, even though I started when I was 16, it never really started till I was like 30, when I started singing and writing my own songs, and that's when it really took off. But prior to that, I was just doing a bunch of covers.
I started doing non-surf stuff like commercials, short films, and music videos and just started expanding my filmmaking that way. I started doing that more for a career: you know, it was paying the bills, and it was challenging. I was stimulated by it.
I've never been able to tell jokes. In the beginning of my career I did impressions and jokes like any other comedian, but I was never very successful because I did it poorly. So I started to talk to the audience and started talking about the atmosphere around me and started to become angry, not in a mean-spirited way, but in a fun way - and my attitude developed from there.
I started doing impressions of Steve Urkel and Ed Grimley as my way of getting through the fear of rejection.
I started getting these attacks in 2009, just as my music career was taking off. I'd be doing photo-shoots and started to feel like I was having heart attacks. Increasingly I found it difficult to step outside my flat. Things started to get better after I saw a therapist, who told me I needed to make peace with my panic attacks.
Then I started to do furniture and interiors for a friend and just to get stuff in a magazine, and then slowly started to build up and started to doing exhibitions.
I started off at Hofstra University in Hempstead, Long Island, and started doing theater in Manhattan in 1969.
I started by doing a little funny story, and then I started going to open mics. I realized I had a lot of work to do - you have to get over the stage fright and get your stage presence up. It took me some time, but I finally feel that I'm at a point where I feel comfortable on stage and giving my point of view.
I grew up kind of in the country, in western Georgia. And then I moved a lot closer to Atlanta, and I started doing plays, and when I started doing film, I think I really started to love it.
Just because you started off one way don't mean the ending of the book has to be the way you started.
When I started doing stand-up in the late eighties, that was not an uncommon thing, that people dressed for the stage. I've seen that change as time has gone by to where, for me, it's something that people remark on. And that's when I started to really embrace it in a way and get more flamboyant and foppish with the way that I dress.
I started working as a kid doing dubbing, and then I started doing television when I was 11 or 12, and then movies, and I worked mostly in French, and then I started working in English, and then I moved to New York. So I think I managed to find a way to always make it a challenge for myself.
I started doing 'figures', then, one day, all of a sudden, I started doing abstraction. And then I started doing both. But it was never really a conscious decision. It was simply a question of desire. In fact, I really prefer making figurative work, but the figure is difficult. So to work around the difficulty I take a break and paint abstractly. Which I really like, by the way, because it allows me to make beautiful paintings.
I just think I started off like many composers, just in different fields of music I was doing. I started doing a lot of commercials and jingles, and then that led to doing TV and then films and games and TV.
I started doing all kinds of weird stuff on the guitar, which became part of my playing. I started doing harmonics and tapping on the guitar and pulling off strings and doing all this weird stuff that no one had ever done before.
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