A Quote by John Piper
I've always wondered, am I a writer who preaches or a preacher who writes? I don't know. I love them both.
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I'm looking for a writer who doesn't know where the sentence is leading her; a writer who starts with her obsessions and whose heart is bursting with love, a writer sly enough to give the slip to her secret police, the ones who know her so well, the ones with the power to accuse and condemn in the blink of an eye. It's all right that she doesn't know what she's thinking until she writes it, as if the words already exist somewhere and draw her to them. She may not know how she got there, but she knows when she's arrived.
I have a problem with writer/directors, personal. I can't work well with both of them on the set, if both of them are giving instructions. Writers tend to be in love with what they wrote. You can't always translate the words into the meaning, sometimes the meaning is better served without the words, difficult to make a writer to try to understand that. It gets, sometimes, tense.
The dream, I think, with any project is it starts with an idea, and then somebody writes it, and the writer hopes that a director comes on and makes this piece of material visual, and both the director and writer hope that they can have actors come in and bring something to it that neither one of them expected, elevating it along the way.
The writer trusts nothing she writes-it should be too reckless and alive for that, it should be beautiful and menacing and slightly out of control. . . . Good writing . . . explodes in the reader's face. Whenever the writer writes, it's always three or four or five o'clock in the morning in her head.
I love working with actors. I love visual things. I always intended to be a writer who directs and a director who writes.
It's become fashionable these days to say that the writer writes because he is not whole, he has a wound, he writes to heal it, but who cares if the writer is not whole; of course the writer is not whole, or even particularly well.
When I am in that lane, and I hear, 'Caster Semenya from South Africa,' I always know I am doing it for my people. They love and support me, and I will always do them proud; I will always put them first. Without them, I am nothing.
If I should stay
I would only be in your way
So I'll go, but I know
I'll think of you each step of the way
And I will always love you
I will always love you
Bitter sweet Memories
That's all I am taking with me
Good-bye. Please don't cry
We both know that I'm not
What you need
But I will always love you
I will always love you.
Any preacher who preaches beyond that which he has experienced is incapable of preaching with conviction.
I'm standing under a sign that says, 'Budweiser is king of beers,' and everybody's got their beers here today," I told them. "But I'm here to talk about the King of Kings. I know I might look like a preacher, but I'm not. Here's how you can tell whether someone's a preacher or not: if he gets up and says some words and passes a hat for you to put money in, that's a preacher. This is free. This if free of charge, which proves I'm not a preacher.
The nightmare of censorship has always cast a shadow over my thoughts. Both under the previous state and under the Islamic state, I have said again and again that, when there is an apparatus for censorship that filters all writing, an apparatus comes into being in every writer's mind that says: "Don't write this, they won't allow it to be published." But the true writer must ignore these murmurings. The true writer must write. In the end, it will be published one day, on the condition that the writer writes the truth and does not dissemble.
Happy is he who looks only into his work to know if it will succeed, never into the times or the public opinion; and who writes from the love of imparting certain thoughts and not from the necessity of sale - who writes always to the unknown friend.
People ask me, 'What do you do?' And I tell them I'm a writer, but always with the silent reservation, 'I am, of course, not really a writer. Hemingway was a writer.'
If a writer writes poems and short stories and novels, but nobody ever reads them, is she really a writer?
Why does the writer write? The writer writes to serve--hopeless ly he writes in the hope that he might serve--not himself and not others, but that great cold elemental grace that knows us.
Some preachers master thier subjects; some subjects master the preacher; once in awhile one meets a preacher who is both master of, and also mastered by his subject. The apostle Paul, I am sure, was in that category.
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