A Quote by John Pomfret
In some ways the domestic reporting is a lot easier because Americans will talk to you about anything.
Related Quotes
On the contrary, it's because somebody knows something about it that we can't talk about physics . It's the things that nobody knows anything about that we can discuss. We can talk about the weather; we can talk about social problems; we can talk about psychology; we can talk about international finance gold transfers we can't talk about, because those are understood so it's the subject that nobody knows anything about that we can all talk about!
A lot of guys... they want to take the big shot, and they talk about it because they're scared of it. You never heard me talk about it. You heard a lot of guys talk about it. But you don't have to talk about it, because if you have the confidence in yourself, and your team believes in you, you don't fear anything. You don't fear losing.
The truth is the committed left press in America is not longer interest in reporting the news. Anything that hinders a favorable view of the far left will be ignored; anything that advances liberal causes will be celebrated. News reporting today is largely about ideology and shaping the culture, not about informing the public.
I hate to say Americans are ignorant and lazy, but a lot of them are ignorant and lazy. It's just like what I was talking about with Rebel Music and art. When you live in a place that has a lot of good things that make life easier, it's easier to take them for granted. But what frustrates me to no end are people who want to blame Obama or blame anything that is something that if they were actually doing anything as simple as voting, it might not be as bad as it is.
It's easier in some ways being on the life raft and the other guy's in the boat and you can row alongside and be supportive. In some ways, that's an easier role.
My reporting in Africa wouldn't be political per se, but it's certainly the point of my reporting - and of a lot of other reporters I know: Human suffering is bad, and if reporting stories about it brings it to light and someone does something, that's part of the point of journalism. And it's a thin line between that and activism, and you have to be careful about that.
Power is America's last dirty word. It is easier to talk about money - and much easier to talk about sex - than it is to talk about power.
In "Mother-Father-God," I talk about how the new thought movement led me to be superstitious. I think that might resonate with a lot of Americans, the superstition around optimism, like 'don't say anything negative' because you might jinx yourself with your thinking.
I always feel that crime films are about capitalism because it is a genre where it is perfectly acceptable for all the characters to be motivated by the desire for money. In some ways, the crime film is the most honest American film because it portrays Americans as I experience a lot of them, in Hollywood, as being very concerned with money.
It is like using a smoke screen, the same thing for an individual. The topic here is Islam. If French politicians are no longer talking about Islam, they know they will have to talk about something else, which brings the spotlight on their inefficiency. They will have to talk about domestic social and economic issues and they will have to justify their foreign policy, which is obviously something they need to avoid at all costs.
It is easier to talk about money -- and much easier to talk about sex -- than it is to talk about power. People who have it deny it; people who want it do not want to appear to hunger for it; and people who engage in its machinations do so secretly.
Being on a book tour is a lot easier than reporting.
I never talk about anything Hollywood or about politics. I will talk about how concerned I am about funding for Planned Parenthood, and how very sad it makes me when I see anything about children being separated from their parents.
The writing is amazing because having a hand in creating what you're going to be performing... there's nothing like it. It's always going to be better suited for you. You're always going to know the lines faster, because you wrote it. The writing is so very hard. It's the hardest part of the whole process. In some ways the acting is a lot easier and a lot more fun.
During two decades, on and off, reporting in Russia and the post-Soviet states - in the turbulent '90s, the wealthy but depressing aughts and, finally, during the eruption of violence in Ukraine - I occasionally heard people talk about how 'the Americans' wanted this or that political outcome.
I think that in some ways 'Climax' is easier to digest than my other movies because the characters are easier to identify with. You love them because they're young, they're great dancers, they're beautiful, and they are willing to construct something. They're not losers like most of the characters of my previous movies.
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