A Quote by John Porcellino

The way I grew up, I had a lot of personal issues with art. It's an individual thing, but I also think it's kind of Midwestern: You do your thing, but you don't talk about it. You make sure it's not such a big deal, and keep it very low-key.
Make your life your art. It doesn't have to be that you're an artist. I know I talk about art a lot, but I mean a very broad thing with that. You could be a veterinarian, that's your art. Find your art; find your thing you love.
And style, by the way, is a very important thing. It is like your signature, your handwriting or it is something that you develop that is your way of presenting yourself and also your way of looking at what art - of how to make art.
Be very focused. Do your homework so your research and claims are unassailable. Make sure it is bulletproof and then make sure you are really focused. The thing I find is that the issues are usually so large that you try to cover a lot of ground. That's a natural impulse.
A lot of the music is the kind of thing I grew up with, listening to it with my parents. So there was a band in London called the BBC Big Band, and I sang with them. And I had never done a big band before, and it was just so fantastic and I had such a good time...so that's how it all came about
That's the thing about a folk tale: It is always addressing incredibly key issues about how you should live and what the right thing to do is, which is really what I'm the most interested in - like the questions that religion takes on. And I think that, for those of us that aren't religious, we need, or I need, art that stimulates the same kind of thinking about what it is to be a mensch, or a good man, things like that.
In Puerto Rico, we have a lot of traditions. We eat a very typical thing that's called 'pasteles' - it's almost like a tamale made of bananas, and we make it all together. Like, all the women of the family unite, and it's a very big deal, a very big thing.
I grew up with the motto of "they can't kill you and eat you," and I still think that's right. You sure as hell can't! When it comes to speaking about my body makes other people uncomfortable but it doesn't make me uncomfortable. It makes them think more about themselves than it makes them judge me. I've always had this body and had to live with it. I've never been a little thing. I've been smaller but I've never been small, even as a baby. I've never had that window into that kind of world where people only talk to you because you're conventionally sexy.
I grew up in a family where I had a lot of different siblings from - you know, I grew up in a big family, and I think it's a beautiful thing.
The key thing about any fund is to make sure its expenses are low. You know, if you look at the funds in your plan and you see that they're all charging 1.5 and 2 percent,you've gota bad plan.
The most difficult thing has definitely been movies. From a comedian's standpoint, you think being real big is the best thing, but with movies, the screen is huge, you're big anyway! Also, coming from a TV personality - MTV was all about high energy and selling the hottest video - I had to learn to [take it down]. A lot of characters I'm playing are not necessarily that kind of guy.
I grew up in a very small country town in Victoria. I had a very normal, low-key kind of upbringing. I went to school, I hung out with my friends, I fought with my younger sisters. It was all very normal.
Design is a very personal thing. It's like art. Your personal choice plays a big role.
When you hit your strive, and you feel confident in what you're doing and in your process, you really want to do more and try lots of different things. I've also really worked on my breathing, which is a funny thing to talk about, if you're not an actor. I think breathing is actually the key to a lot of opening up of other parts of yourself that you haven't used, for any job, but particularly in acting.
For me, writing is a solitary thing and a personal thing. And it's weird, because when you make something that requires money and collaborators, you have to talk about them. I don't enjoy that part of it. I still want to keep it to myself.
Death’s a funny thing. I used to think it was a big, sudden thing, like a huge owl that would swoop down out of the night and carry you off. I don’t anymore. I think it’s a slow thing. Like a thief who comes to your house day after day, taking a little thing here and a little thing there, and one day you walk round your house and there’s nothing there to keep you, nothing to make you want to stay. And then you lie down and shut up forever. Lots of little deaths until the last big one.
I'm a very big proponent of cloud. We've used it a lot in private sector, and as far as we can tell, it is not only more efficient, it's probably also more secure for lots of very complicated technical reasons. I think it's a very important thing for government to do, and also to have systems that talk to each other.
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