A Quote by John Prine

Because of my song 'Sam Stone,' a lot of people thought I was interested in writing protest songs. Writing protest songs always struck me as patting yourself on the back.
8th grade I started writing my own songs. They weren't good songs or anything, but it was always the song writing aspect of things that was important to me, I always just wanted to create a song it seemed like.
I'm more of a songwriter. I love writing songs. I love writing my songs. It's always been writing for me, and it makes it different when you're writing for yourself.
I've written a lot of songs in the last couple years, but writing a lot of songs doesn't always mean writing good songs.
It wasn't my natural inclination to get into writing protest songs.
When I was younger it was a lot of quantity over quality. Just writing, writing, writing. Hundreds of songs. Now it's fewer songs. If I write 10 songs I believe 80 percent of them are good and gonna be used.
I'm writing all the time. And as the songs begin to coalesce, I'm not doing anything else but writing. I wish I were one of those people who wrote songs quickly. But I'm not. So it takes me a great deal of time to find out what the song is.
I am interested in politics but have stayed away from writing overtly political songs, or message songs, because I find it difficult to discuss politics intelligently in a 4-minute song. But I am finding there are ways to get bits and pieces of political thought across without preaching that the people have the power or we shall not be moved. Of course these sentiments have their place too - I'm not knocking Phil Ochs - but that's a different kind of music, songs to play at rallies, not to achieve a state of bliss.
I do gravitate towards the sad songs because I find them to be more of a challenge for me from a writing perspective. There are things about those songs that do touch people in a way that a fun song can't.
Everybody used to be busy writing songs - great songs - that became hits. Now everybody's writing hits. Everybody's desperately writing a hit because they know they can't survive if they don't have a hit. Where in the past, we were writing a song like 'More Than Words' on a porch, not really believing it was gonna be a hit.
And the thing about me is, I have a lot of mellow songs, because they're the easiest for me to write. I wanted to try to make some more upbeat songs, so, I ended up gravitating toward writing songs with friends, which was a great learning process, and also we came up with great songs. Those are the songs that came out the most naturally.
I try to make all my songs good. I don't ever write one to finish one. A lot of protest songs end up that way, driven by some kind of emotional response.
I don't write songs apart from theatrical pieces. I'm not interested in writing songs qua songs.
If you're writing songs by yourself, who's going to tell you if it's good or not? But if you're writing songs with somebody else, you get that immediate feedback.
When it comes down to the song writing, I'm just very slow - very slow. Because the songs are about my life, so I'm doing emotional work on myself. As I'm writing these songs, I have to learn these lessons and dig real deep into my heart to write this stuff.
I like to write pop songs and the stuff I write is fairly poppy, so I thought maybe my lot in life was to write pop songs for people. It never felt right writing songs for other people to sing, though.
I was immersed in popular songs of the time, of the '30s and '40s. I was writing songs, making fun of the attitudes of those songs, in the musical style of the songs themselves; love songs, folk songs, marches, football.
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