A Quote by John Prine
I think I've finally, after 72 years, gotten used to my voice, and it sounds like a friend now instead of an enemy.
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After years of touring, my voice has gotten a lot stronger. I used to just blow out after two or three shows, so I've definitely trained my voice, because I can now hit notes that I couldn't hit before.
I was a magazine illustrator for many years before I became an actor, and I used to think, 'Oh, God, all those wasted years!' But now I think it's just been one big enterprise of illustrating. I used to do it with colored pencils, and now I do it with this voice and this set of limbs.
Also in Norah Jones, now there's a voice that sounds and I don't mean disrespect but sounds a hundred years old that sounds incredibly experienced. It's just an exciting time.
Right now the thing that I have learned the most is to be grateful that I have finally gotten to a point where I am being paid to make films, after eight years.
Aziraphale. The Enemy, of course. But an enemy for six thousand years now, which made him a sort of friend.
The relationship with WWE obviously has gotten better because after my name has been shoved down their throats from 2K Games for the past years, they finally passed off on it. They finally okayed it.
I think the voice over actually enhances the various moments instead of compensating for something that's lacking. Voice over can be tricky. It can be dangerous because its over used or inappropriately used. I think in this case it informs the story.
My voice gets recognized before anything else. It's always gotten attention. In choruses at church and school, I started as a tenor, moved to a baritone and finally became a bass. I knew then that my voice would be my instrument. Now if I want to hide, I just keep my mouth shut.
I never really felt apprehensive because of my voice because after a while I'd gotten used to it, so I figured it would only be a matter of time before everybody else got used to it.
There's a bit of a difference in the way he sounds. Samuel E. Wright lent his voice and personality to the animated film with his booming voice. I have a high-tenor voice. Instead, I have to figure out a way to convince the audience to come along with me and accept this new texture and tambour to the way Sebastian sounds. I have a great dialect coach.
I was battling depression, went through a really hard time in my marriage, and I used to cry myself to sleep. I went through years and years of pain and suffering, and finally got help. I feel so much better now, feel like a new person, so now I can be happy about it.
I think I prefer singing in falsetto. I like the way it sounds. It doesn't sound like my natural voice. It sounds like a character.
I have gotten so used to melancholia that I greet it like an old friend.
I definitely see the voice as an instrument: It makes great drums, great synth pads, great everything. Vocals can be so many things, like, "Hey, I'm Michael Jackson, and this is my iconic voice," or a choir of people sounding like Mozart's Requiem. Mariah Carey is my favorite singer because her voice sounds utterly groundless. It's not even a human voice; it almost sounds mechanical.
What's funny about my voice is, no matter what I sing, I sound like I'm really sad. I don't even mean to do it, it's just something my voice has. I think that's one of the reasons why Okkervil has been dubbed as really mopey - I have this tone to my voice that sounds like that.
I've been very lucky with the people I've met over the years. Way back in the early '70s I went to [Phil] Seuling's conventions for something like three years in a row from '70 to '72 and I remember at the '72 luncheon with the Academy of Comic Book Artists and talking with John Romita about the kind of brushes he used. Pros ask pros the same questions that fans do. "What kind of pens do you use? What kind of brushes do you use?" I was so amazed that the wonderful work John Romita was doing was accomplished with a Windsor-Newton series 7 Number 4. Not a 2 or a 3, but a 4.
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