A Quote by John Prine
I didn't hear anybody talking about the plight of a soldier coming back home and what he'd gone through. That was why I wrote about that stuff. If somebody else had done it, I probably wouldn't have touched the subject.
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You can write a whole fiction, and you're talking to people who have gone through that, in real life. But the truth of it is that when you're talking to those people, you don't care about your movie anymore. You just want to hear about what they have gone through. You want all of the details. It's amazing.
The radio is good for taking somebody else's experience and making you understand what it would be like. Because when you don't see someone, but you hear them talking - and, uh, that is what radio is all about - it's like when someone is talking from the heart. Everything about it conspires to take you into somebody else's world.
We didn't hear a word about the Clinton Global Initiative. We didn't hear a word about all the masterful, wonderful things they've done in the aftermath of the earthquake in Haiti. Why not? If you're extolling the virtues of the change, "She [Hillary Clinton] makes more change, she's done more change than anybody in my lifetime! I've never met somebody who is better change."
Usually people have gone through years of in vitro, just trying. The dilemma that faces infertile couples right now in America, there's so many of them. That's why - you know that's why I started talking about it, so that they didn't hear just the terrible stories.
There is something about me that is collaborative, that wants to get the best performance out of somebody else or to hear something that somebody else has done that's good and to try and make it great.
Whenever you get involved with talking about rights, you're talking about being a citizen. You're talking about being a citizen in capitalism; you're talking about what rights are granted to what identities, under what laws, and all that is a big mix. Marriage is, among many other things, a formality to channel capital through a family. And that's why the big DOMA lawsuit was about paying too many taxes! "I wouldn't have had to pay all these taxes if Theodora had been Theo" - that was the big tagline. It's all about protecting assets.
I think any criticism bothers anybody. I get my back up when I hear stuff that I think the people don't know what they're talking about - understanding that I can improve in a lot of different areas and the team can improve.
When he was in school he longed to be out, and when he was out he longed to be in. On the way he thought about coming home, and coming home he thought about going. Wherever he was he wished he were somewhere else, and when he got there he wondered why he'd even bothered.
Why is it Muslims from Pakistan or from Egypt come to America and thrive, and they are frustrated back home? It's about clean government. It's about a rule of law. It's about intellectual property protection. They've got all the talent and energy of anybody else. As new immigrants they may have more of it, so you put them in our system and they become doctors, lawyers, and businessmen and entrepreneurs.
That's why you hear about people coming up with inventions almost at the same time, because someone else is thinking about it.
My music does say a lot about me and what I went through. All the songs are about things I have gone through and what I am thinking. I wrote about my family, friends and boys, of course, and about life.
Some people think it's psuedo-science, but it's called morphic resonance. It's when someone thinks of an idea, it makes it easier for someone else to think of the idea. That's why you should do crossword puzzles later in the day, because other people have thought about the answers. That's why you hear about people coming up with inventions almost at the same time, because someone else is thinking about it. That's why whenever I have a really good idea, I'm always worried about theft.
It's important that comedians talk about difficult and dangerous subjects; you have to be very careful that you don't just hear the subject heading and think, oh, this is bad, they shouldn't be talking about that. You have to hear what's being said.
Nobody really wants to hear about anybody else's injuries. Or how your back feels. Whose back doesn't hurt?
One of the last times that we played in the area before I wrote "Allentown," I remember a guy coming up to us and saying, "You're never coming back here." I said, "Why do you say that?" He said, "Well, you're probably gonna become a big star. Nobody who ever becomes big comes back here." And I felt so sad for this kid, he seemed so bitter about it. I said, "Well, I'm coming back, no matter what."
When me and my author friends who write about other difficult subject matter... when you hear from teens daily saying, 'Your book helped me or made me understand a friend better, what somebody else is going through,' you see the positive things.
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