A Quote by John Prine

When I'm making my own record, it's real work for me. — © John Prine
When I'm making my own record, it's real work for me.
I grew up making music in my mum's basement, and I used to tell her I was going down there to work, and she'd say, 'That's not work. Go get a real job!' It took me signing a record deal to change her opinion!
When you're making a record - and I've never said this to anybody, but it's true - when you're making a record, and you go, 'Man, this might win a Grammy!' you feel that level of confidence when you're making a record.
Doing stuff on my own terms and making a record without being signed to a label - I credit that all to my commercial work.
Making a record? You've got to have the song, then you create a record. I think it's the same with a live performance. If the material is strong, you're already 90% there. I always tell young people it's all about the music, the songs. Work on the songs, work on the songs, work on the songs.
I never look at it as if any of my successes were given to me through fate. Getting record deals, making the songs I've made, having fans and working with the people I work with aren't chance. I know that dedication and work have gotten me to where I am and will get me to where I wanna go.
Well the way I ended up with my own record is that I did this concert at Wesleyan University. It was just one night and we had no thought of making a record.
I'd been doing my own thing, and making my own money; I wasn't built by a record label or the music industry, nor was I built by prominent artists that have given me co-signs.
Whenever I release a record, it's my record. It's not a selfish thought. I may work all year 'round for other people. So, finally, when I come out with my own album, it should be me with the creative help of other musicians.
The thing that really makes me happy is the real work and rehearsing and creating the character and the process of making the movie. Hollywood's not real.
I know for a fact that if I could do only music, I'd be out of my mind, insane. I'd be stressed-out; there's so much work. I mean, you work constantly; there are no breaks, really. If you're not promoting a record, you're making one. If you're not making one, you're touring. If you're not touring, you're doing photo shoots and prep work.
To write lyrics and sing stuff used to be a real chore for me, especially before this 'Diamond Eyes' record. I was spending years making records.
At 13 years old, I realized I could start my own band. I could write my own song, I could record my own record. I could start my own label. I could release my own record. I could book my own shows. I could write and publish my own fanzine. I could silk-screen my own T-shirt. I could do this all myself.
It's when someone has an agenda of their own for the record that it doesn't work for me.
I felt like the last record was a real step forward for us. I was very pleased to see some people saying the same things - that it was a real departure, that it was much more individual, that it sort of a power of its own. I really did feel those things very strongly, it's our most realized record.
In the beginning, somebody told me there was a record in the cruiserweight division where Evander Holyfield became the champion. I thought about that, and I told my team, 'Let's make our own history, our own record, to beat Holyfield's record.'
I think something that is never really spoken about is the learning process of making records - I made my first record at twenty one and learned so much about record making from that before making 'Bomb In A Birdcage' a couple of years later.
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