A Quote by John Quelch
I think part of the problem that the Republicans have is that the base has, in many cases, certain litmus test issues on which they are black and white on their thinking.
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My music is - there's no litmus test, there's no political litmus test for listening to it - but I am never going to compromise one iota to satisfy with someone who's uncomfortable with the ideas I feel in my heart.
The core constituency that Republicans must satisfy in high court nominations is the party's social conservative base, which fundamentally cares about issues, not diversity, and has accepted white men who practice the judging it admires.
Republicans have reached out so much to black Republicans because it's part of our tradition. Blacks have been in this nation longer than most other Americans with the possible exception of white Anglo-Saxon Protestant. The first blacks in Congress and the first black Governor were all Republicans. It was Republicans who fought the Civil War over slavery and who introduced the Civil Rights legislation over the next hundred years.
I think the core criterion is the social awkwardness, but the sensory issues are a serious problem in many, many cases of autism, and they make it impossible to operate in the environment where you're supposed to be social.
White privilege allows a certain kind of leisure that can be deployed by white people of advantage toward our restoration. That's all true and good. But it also suggests that there is an individual approach to the issues that many of these white people have taken up as a recognition of their tie to and responsibility for some of the inequities that exist. And I don't think it has to be an either-or. I think it has to be a bifocal approach.
Just like in the art museum, and notions of beauty and pleasure, if the hero is always a white guy with a squared jaw or pretty woman with big breasts, then kids start thinking that's how it's supposed to be. Part of the problem was that black comic book artists were making super heroes with the same pattern as the white super heroes. When you read a lot of those comics, the black super heroes don't seem to have anything to do.
I've never seen a sincere white man, not when it comes to helping black people. Usually things like this are done by white people to benefit themselves. The white man's primary interest is not to elevate the thinking of black people, or to waken black people, or white people either. The white man is interested in the black man only to the extent that the black man is of use to him. The white man's interest is to make money, to exploit.
That's why for Zakk Wylde's Black Label Society the colors are black and white. There are no gray issues. Life is black and it's white. There's no in-between.
I think the way you can tell if a guy and girl are in a serious relationship is whether or not they have black and white pictures of themselves together. That's the real test. Because it takes effort to get nice black and white photos. If you've gone that far, there's no turning back.
As a black person on the outside, because there's so much black art and so much of black people's work circulating, so many people imitating what black people do, you would think that there'd be more black people on the business side. It didn't cross my mind that every label head, for the most part, is a white guy.
I started as a black-and-white teenage photographer, and I'm still there decades after. In some ways, the genre is almost gone. I am thinking of true, stubborn, lifetime black-and-white photographers, as opposed to black-and-white as a photographic commodity.
When it comes to racial issues, I'm very passionate about young girls just loving who they are in their own skin. Because I remember going to an all-white school and being the only black girl in an all-white school, think - looking around me, thinking there's no one else here that looks like me.
Most often, qualifications are defined by the credentials of the person who last held the job. If that is to continue to be the litmus test, white males will continue to be the top choice on any list, if the interviewer is also a white male.
A painting is an object which has an emphatic frontal surface. On such a surface, I paint a black band which does not recede, a color band which does not obtrude, a white square or rectangle which does not move back or forth, to or fro, or up or down; there is also a painted white exterior frame band which is edged round the edge to the black. Every part is painted and contiguous to its neighbor; no part is above or below any other part. There is no hierarchy. There is no ambiguity. There is no illusion. There is no space or interval (time).
Republicans and blacks had an unlikely alliance around 'max black' after the 1990 census. By concentrating black voters in some districts, the strategy elected a record number of black congressmen in 1992. But the remaining 'bleached' districts were more likely to elect white Republicans.
I don't make movies about issues. This is my same litmus test for all the movies I love: Is it a great character on a great emotional quest with a great emotional need? Do they overcome great emotional obstacles? Is it a fantastic story? I didn't set out to be a political activist. I'm just a human being who's moved by certain things, and if certain things break my heart, I set out to fix them.
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