A Quote by John Rampton

One of the hardest tricks that I had to learn was saying the word 'no.' — © John Rampton
One of the hardest tricks that I had to learn was saying the word 'no.'
Growing up, yeah, I had a magic kit with learn tricks and learn card tricks, but I was never... I used to watch whatever magic special was on as a kid, but then, it's not that I lost interest, but to be a magician, you really, it's really hard work. Learning lines is hard enough; learning sleight of hand, that's real practice.
One of the most essential yet the hardest truths that I have had to learn is that every person should be his own hardest task-master.
I want to be the band everyone knows that goes hardest. Plays the hardest, parties the hardest, lives the hardest, loves the hardest, does everything the hardest, harder than anybody else.
I've always written songs the same way. You learn different tricks - you learn craft, you learn structure, all that - as you go.
I wrote my first song at 12 and remember someone asking, 'What were you going through at 12 that you could write about?' I get what you're saying, but 11, 12, 13 were the hardest years of my life. You learn everything. You learn how horrible things feel.
Why is the word yes so brief? it should be the longest, the hardest, so that you could not decide in an instant to say it, so that upon reflection you could stop in the middle of saying it.
Contest skating is about figuring out the hardest tricks you can do that you can also land every time. It doesn't matter if it's a kickflip back lip or a kickflip front board or a hardflip. Any trick you feel really confident in and you can land any time, those are the tricks you bring to the contest.
One of the hardest things for boys to learn is that a teacher is human. One of the hardest things for a teacher to learn is not to try and tell them.
I'll learn how to rest, though. I can still learn new tricks.
One thing you learn doing magic tricks for a living is how close every performance of every magic trick is to disaster. There are no robust magic tricks. They're all hanging from a thread - sometimes literally.
I said nothing. I’m good at saying nothing. I don’t like talking. I could go the rest of my life without saying another word, if I had to.
Life is like that, full of words that are not worth saying or that were worth saying once but not any more, each word that we utter will take up the space of another more deserving word, not deserving in its own right, but because of the possible consequences of saying it.
I love to play with language; make it do tricks, turn a word inside out to see if it's got a hidden meaning tucked away somewhere, or perhaps find that it's capable of an extra entendre or two. . . . Plotting is nothing I did, or do, naturally. It is the hardest part of the writing process. No matter how many times you plot a script successfully, the next one, representing new and uncharted territory, convinces you that you really don't know how to do it at all.
I had to learn to think, feel, and see in a totally new fashion, in an uneducated way, in my own way, which is the hardest thing in the world. I had to throw myself into the current, knowing that I would probably sink.
One day, I saw a magic show, and I was like, 'I have to learn how to do this!' Every time I went to Las Vegas, I had to get at least two or three tricks from the magic shops.
I’d heard he had started a fistfight in one of the seedier local taverns because someone had insisted on saying the word “utilize” instead of “use.
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