A Quote by John Ratzenberger
I was a carpenter in Northern Vermont and got this tax refund check that just about covered a one-way airfare to London. So this I saw as a sign from God. So I went over to see Ray [Hussett] for a couple of weeks and ended up staying 10 years. I got work as a stage carpenter at the Oval House in Kennington, South London.
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I was a carpenter doing office refurbs and door frames. I'd get up at 5 A. M. and get the train to London. I'd work for eight hours a day with my dad.
I was at my house in Paris, having a day off, when I got a phone call from Arsene Wenger - he asked if I'd come back to London for a medical. I woke up at 9 A.M. on transfer deadline day, jumped on a train, got to London, but then it never happened.
League of Legends' is banned in my house and rightly so. It is just awful. In the past, I've been staying up and playing it. Then all of a sudden, it is 6 A.M., the birds are tweeting and I'm thinking: 'Oh my God, I've got to get up in a couple of hours to take my son Alexander to school. Then I've got to practise.'
I had just got married when I started writing my fourth novel. I'd come back from honeymoon, moved into our first house - a gorgeous little carriage house in London - and made my office on the third floor, overlooking the treetops in North West London.
When I was about 17 I was on the G.B. squad and that's where I wanted to be. I went to the Commonwealth Games and got silver there, but the three years I was on the team it was London-this, London-that. It was all preparation for the Olympics.
I was brought up in a flat in North London - virtually the last building in London, because north of us was countryside all the way to the coast, and south of us was non-stop London for 20 miles.
In 1965, I was 11 and in my last year at Junior school. I was living with my mum and older sister in a rented flat in south London - my parents had separated when I was five and got divorced a couple of years later, which was unusual at the time. My dad was working abroad, and I hadn't seen him for several years.
[ Oval House] director, Peter Oliver, gave you the right to fail. He had a philosophy that came from Winston Churchill that you go from failure to failure with enthusiasm. So Peter gave us a go and that's how Ray [Hassett] and I ended up starting Sal's Meat Market at the Oval House.
I was every Londoner's stereotypical idea of a brash, vulgar American. When I got here, it turned out that London was the Wild West, and New York was like London at the height of the Victorian era, in which everyone was far more obsessed with table manners and status-climbing than they are in London. In London, everyone was just crawling over this blizzard of cocaine. Here, if you have more than a glass of wine with your meal, people refer you to Alcoholics Anonymous.
If you live in central London, that's probably fine for you, but in places like Edmonton, where you're almost out of sight of London, you've got to pay more and more to get into central London. How does that work?
My daddy was a carpenter that worked with the Jones boys, who are the most notorious in America. The black gangsters, you know, they were no joke. And he was their master carpenter. He used to build their homes, and all I saw when I was 11 years old were dead bodies and tommy guns and stogies, and backrooms, you know, Drexel Wine and Liquor, with the big piles of money underneath.
A painter will paint a cobbler, carpenter, or any other artist, though he knows nothing of their arts; and, if he is a good artist, he may deceive children or simple persons, when he shows them his picture of a carpenter from a distance, and they will fancy that they are looking at a real carpenter.
It's not realistic to live in the country at this stage. I've got a business in London. I beat myself up about it all the time.
The first time I ever thought about doing a film seriously, I was in London. I was about 17 years old. I was just standing in the street, a bit dazzled by an Antonioni bus wipe, which by the way are inherent in London, and I imagined a film set in London starting out with the riff from The Yardbird's "Heart Full of Soul", and now, how ever many years later, I've done it.
The first time I got on stage I was 10 years old and I did impressions. I did cartoon characters and I really got the bug for this life when I saw that people were laughing and saw the attention I was getting.
I explained we lost the porch to the flood. Father hasn't gotten around to rebuilding it, although he's quite a good carpenter. He says if Jesus was a carpenter, its good enough for a clergyman. But I don't remember that Jesus let his house fall down.
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