A Quote by John Ratzenberger

It was the last generation of writers [ the Cheers] that had grown up reading books instead of watching TV. So you weren't getting anything that was derivative of I Love Lucy or Happy Days. You were getting real characters [like those] they read in P.G. Wodehouse or Dickens or somewhere along the line, because they had all grown up with a love of literature.
People I get the most star-struck by are people I've sort of grown up with watching. So, for example, working with Debby Ryan, when I first met her, I was a bit nervous and a bit star-struck because I had grown up watching her TV shows on the Disney Channel.
I am sure that, had I grown up with both parents, had I grown up in a safe environment, had I grown up with a feeling of safety rather than danger, I would not be the way I am.
I had grown up watching these American proms in movies, thinking, 'Wow, that looks like so much fun! I want a corsage! I want a date!' So getting to actually have my own movie American prom was a real treat.
If I'm getting dressed up, I love Alice + Olivia, they have great pieces. I still look at all of the whowhatwhere.com and I read all of the fashion blogs. I'm working my way up to more grown up pieces.
I've grown up well, partly because there weren't great girls' literature - Nancy Drew, maybe - but there weren't things. So there was Huck Finn and "Spin And Marty." The boys characters were interesting and you lived through them when you're watching it.
I tell writers to keep reading, reading, reading. Read widely and deeply. And I tell them not to give up even after getting rejection letters. And only write what you love.
You often hear that people go into show business to find the love they never had when they were children. Never believe it! Every comic and most of the actors I know had a childhood full of love. Then they grew up and found out that in the grown-up world, you don't get all that love, you just get your share. So they went into show business to recapture the love they had known as children when they were the center of the universe.
We have a lot of American TV in Australia. I grew up watching 'Seinfeld,' 'The Simpsons' and those prime time TV shows over the years that feature grown-ups and high school kids. We had a saturation of American voices.
I had just done something in TV, but my real love is theater. I had won this award and I was up at Yale, and I was happy because it came with money.
Whoopi Goldberg looked like me, she had hair like mine, she was dark like me. I'd been starved for images of myself. I'd grown up watching a lot of American TV. There was very little Kenyan material, because we had an autocratic ruler who stifled our creative expression.
Attention spans are changing. It's very noticeable. I am very aware that the kind of books I read in my childhood kids now won't be able to read. I was reading Kipling and PG Wodehouse and Shakespeare at the age of 11. The kind of description and detail I read I would not put in my books. I don't know how much you can fight that because you want children to read. So I pack in excitement and plot and illustrations and have a cliffhanger every chapter. Charles Dickens was doing cliffhangers way back when. But even with all the excitement you have to make children care about the characters.
I was attracted to black music for the same reason that I loved those old Irish ballads. Both were social statements of sorts, and both were indigenous to their respective cultures: Ireland, where my father had grown up, and towns like St. Louis along the Mississippi River, where I was growing up.
I have grown up watching franchise-based movies like 'Star Wars' and read 'Amar Chitra Katha' and had aspired to do cinema like that.
One's life is more formed, I sometimes think, by books than by human beings: it is out of books one learns about love and pain at second hand. Even if we have the happy chance to fall in love, it is because we have been conditioned by what we have read, and if I had never known love at all, perhaps it was because my father's library had not contained the right books.
Critics who treat adult as a term of approval, instead of as a merely descriptive term, cannot be adult themselves. To be concerned about being grown up, to admire the grown up because it is grown up, to blush at the suspicion of being childish; these things are the marks of childhood and adolescence.
I love getting cheers. I love giving scares. Anything that really works with the audience makes me happy.
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