A Quote by John Rhys-Davies

Actors are always looking for actor-proof parts. A part so good you can't screw it up! — © John Rhys-Davies
Actors are always looking for actor-proof parts. A part so good you can't screw it up!
I think there are always actor parts, and then there are movie-star parts, and an actors always an actor until he does a movie-star part.
If you have a great part, you have the opportunity to give a good performance. The greatest actors get the best parts, and the best parts make the greatest actors. There are plenty of people who are as talented, who just never got the part.
Actors are dumb when they get insecure of their co-stars. A lot of actors do. When there is a good actor, they're like, 'Oh, he's eating up the part.' That's stupid.
The process of finding an actor is always difficult and there's always so many variables that come into play. Also, actors sometimes carry baggage, fans associate actors with certain parts.
But I've always felt very comfortable on stage, even if I screw up. It always felt like a dog, this is my turf, piss around it. While I'm here, nothing else can happen. All I can do is screw up. Otherwise, have a good time.
My film school is making movies. But, I do think that being an actor has served me immensely, as both a writer and director, in terms of knowing what is playable and what will be fun to play, for actors, and also how to communicate to actors on set, and not screw them up and get them in their head.
As an actor, you're always worried about getting stuck on a show that's not good because working actors need the paycheck. So being cast on a regular procedural, where everything gets wrapped up by the end of the episode, was always a fear of mine because that doesn't really test you as an actor.
It's always nice to have people say you're good-looking. But I do get told I'm not right for parts because I'm too good-looking.
When you first start out as an actor, you're just looking for a good part. As time goes on, if you're being held responsible for the movies themselves, you're looking for a good script all around.
There's two types of character actors. There's character actors who play all different characters. Or there's actors who always play the same part; they're just a bit funny-looking.
I am obliged to interpolate some remarks on a very difficult subject: proof and its importance in mathematics. All physicists, and a good many quite respectable mathematicians, are contemptuous about proof. I have heard Professor Eddington, for example, maintain that proof, as pure mathematicians understand it, is really quite uninteresting and unimportant, and that no one who is really certain that he has found something good should waste his time looking for proof.
I always get a little bit pissed off when stand-up comedy is not recognised as being as good a craft as being an actor. We give Oscars to people and it's like, 'Aw, this person is the greatest person on earth', but being an actor is pretty easy in comparison to stand-up comedy. It's no surprise that several stand-up comics have gone on to become great actors. I don't know any great actors that have gone on to become great stand-up comics.
I think every actor is looking for a challenge, and to play something different, and to be a part of a project with other great actors.
Film has to be reflecting the world that we live in, and that's all you want to be a part of. Actors inhabit the same planet as everyone else. It's a weird thing that happens when you're an actor because people hold you up because you somehow embody in parts groups of people or people's hopes or something.
Actors tend to get in their own way, a lot. A lot of times you will do things that will screw up your audition process. I was very bad at auditioning, and I always went in to it saying ‘God I hope I don’t screw this up.’ But at the same time, the directors are saying, ‘God, I hope this person is the savior.’ You have to remember is that the worst thing that could happen is you don’t get the job you don’t already have.
I've always written for actors, and if you want to write for good actors, you have to write parts that are surprising, that are human, and that allow them to go to a wide range of places.
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