A Quote by John Rhys-Davies

I was offered the opportunity to narrate the Catholic bible, and it was something I really wanted to be involved with. — © John Rhys-Davies
I was offered the opportunity to narrate the Catholic bible, and it was something I really wanted to be involved with.
I believed in the Catholic position, the Catholic view of ethics and aesthetics, for a long time. But I wanted something not intellectual, some conviction not mental - in fact I wanted faith.
From my very first movie, what was my concentration, my inspiration, was I didn't want to narrate something, I didn't want to tell a story. I wanted to show something, I wanted for them to make their own story from what they were seeing.
By sixteen I thought, "Ah, this is all crap, you're all sheep, I'm not going to church, leave me alone." And then at a certain point in my teens I started to go to Catholic churches, by myself. Not because I wanted to be Catholic, but because I wanted to light a candle and say something like a prayer and just sit there. There was something I was missing or trying to reconnect with. But it was a secret at the time. I'd developed this cynical persona and the last thing I wanted to admit was that I was skulking around churches in my spare time.
I went to a Catholic University and there's something about being a Catholic-American. You know, St. Patrick's Day is, I'm Irish-Catholic. There's alcoholism in my family. It's like I've got to be Catholic, right?
I wasn't raised a Catholic, but Yolanthe was, and I wanted to get more involved in her religion.
Most of my library consists of books on the Catholic faith: conversion stories, books on saints and Early Church Fathers, Apparitions of Mary, prayer books, Scriptural resource books on Apologetics, Typology, concordances, bible dictionaries, bible encyclopedias and at least 40 bibles - both Catholic and Protestant editions in several different translations.
I wanted to become a director before I wanted to become a writer. When I was 10, people would ask me what I wanted to be when I grew up, and I said, 'Walt Disney.' I wanted to make films. But I wasn't offered a camera. I was offered language. So I started telling stories in the theatre and then in my novels.
From the moment I became a free agent, the WWE opportunity was the one I wanted. Obviously, there were strong plays made by some other companies, but in the end, when WWE offered me an opportunity, I could not turn it down.
I felt, selfishly, that if there was going to be a TV show about 'Hannibal Lecter' whether I was going to be involved or not, I'd rather be involved. I wanted to make sure it was something I wanted to watch.
I think once a Catholic, always a Catholic. You never escape. I still have Catholic guilt. It is in its basis a really powerful religion and a really strong set of beliefs. They permeate my work in many ways.
Television offered me the opportunity to do new things; I had written a lot of scripts other than scary movies. I had actually written some romantic comedies and stuff that I really wanted to try my hand at, and nobody would let me do that. Television allowed me to do anything I wanted.
So everything turned out fine, and we were given the opportunity to go to Washington and be briefed on the project of man in space, and given the opportunity to choose whether we wanted to get involved or not.
The Rhodes is something I've always really wanted. I would never have applied for it if I didn't really want to go. The opportunity to study at Oxford is amazing.
I wanted to play at the top level in Europe, and PSG offered me a precious opportunity I couldn't turn down.
If there's one thing that can save the novel, it is to make it independent of cinema, to narrate in a way that cinema can never narrate, using to its benefit those particular characteristics which belong to writing.
My father was Catholic, and my mother wanted me to go to Catholic school. That's what I did in first grade. But she couldn't afford the payments. I think it must have hurt her a lot, not to be able to give me a Catholic education.
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