A Quote by John Ridley

There's something very special about knowing what you want to do and knowing the story you want to tell, but finding it together. — © John Ridley
There's something very special about knowing what you want to do and knowing the story you want to tell, but finding it together.
Love is one of my favorite things to talk about. Every song will be about losing it or finding it, seeing a guy and not knowing if you want to tell him how you feel yet. I guess I'm a hopeless romantic.
When I get to tell a story through music videos or TV, it's all about finding the story that I want to tell, so I'm definitely open to acting roles, it just depends on the story.
To know another human being in their essence, you don’t really need to know anything about them - their past, their history, their story. We confuse knowing about with a deeper knowing that is non-conceptual. Knowing about and knowing are totally different modalities. One is concerned with form, the other with the formless. One operates through thought, the other through stillness.
I think, with a negotiation, you have to go in knowing what you want, knowing what your bottom line is, and knowing what you might accept if you're absolutely pushed.
Because what’s worse than knowing you want something, besides knowing you can never have it?
Right now you can allow yourself to experience a very simple sense of not knowing - not knowing what or who you are, not knowing what this moment is, not knowing anything. If you give yourself this gift of not knowing and you follow it, a vast spaciousness and mysterious openness dawns within you. Relaxing into not knowing is almost like surrendering into a big, comfortable chair; you just fall into a field of possibility.
Some people do want to stand on the rooftop and scream out their story. Others are cowering in the corner, or sitting with a blank face in class, and not knowing how to tell their story.
Listening is the most dangerous thing of all, listening means knowing, finding out about something and knowing what’s going on, our ears don’t have lids that can instinctively close against the words uttered, they can’t hide from what they sense they’re about to hear, it’s always too late.
Even though writing articles relies completely on truth, you still must tell an interesting story. You can't worry about people knowing who you are and whether or not they want to read your stories.
I don't think there's a right or wrong things in your style. It's about how you clearly reflect who you are; how you more clearly tell the story. Who are you? How do you want to transmit that to the world, and how do you more clearly say that? Then I have a philosophy, FFPS: fit, fabric, proportion, and silhouette. Proportion's everything, really, knowing your body and understanding that. Those things have been really crucial for me. It's about being clear about the story you want to tell to the world about who you are - and maybe a little bit of FFPS.
True power arises in knowing what you want, knowing what you don't want, expressing it clearly and lovingly without attachment to the outcome.
Self-esteem creates natural highs. Knowing that you're lovable helps you to love more. Knowing that you're important helps you to make a difference to to others. Knowing that you are capable empowers you to create more. Knowing that you're valuable and that you have a special place in the universe is a serene spiritual joy in itself.
My mate Karl once told me he’d been looking after this five-year-old boy who – not knowing enough to have an ironic inflection to his words – said, ‘I want something.’ He didn’t know what it was. Not ‘I want sweets’, or ‘a can of Coke’, or ‘to watch the Tweenies’, or whatever it is they’re into now (I like Bagpuss), but ‘I want something.’ All of us, I think, have that feeling. And what heroin does when you first start taking it is tell you what that something is.
From my very first movie, what was my concentration, my inspiration, was I didn't want to narrate something, I didn't want to tell a story. I wanted to show something, I wanted for them to make their own story from what they were seeing.
There are two classes [of scientists], those who want to know, and do not care whether others think they know or not, and those who do not much care about knowing, but care very greatly about being reputed as knowing.
Knowing the strike zone is very important, but I think the first thing is knowing yourself, knowing what things you do well.
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