A Quote by John Ridley

There remains a degree of anti-black intellectualism in entertainment. Middle and upper-middle class blacks have often been portrayed as buffoons in popular culture; witness the characters of Carlton Banks on 'The Fresh Prince of Bel-Air' and Braxton P. Hartnabrig on 'The Jamie Foxx Show.'
Mr. Cosby wanted to do a show not about an upper-middle-class black family, but an upper-middle-class family that happened to be black. Though it sounds like semantics, they're very different approaches.
The name of the show was 'The Fresh Prince of Bel-Air,' not 'Philip and Viv of Bel-Air.' If you didn't want to walk away from the best job in the world over a petty issue, you accepted the way it was.
It's strange because we think of the upper middle class, for example, as being secular, that they've fallen away from religion. Well, it turns out that the upper middle class goes to church more often and feels a much stronger affiliation with their religion than the white working class.
Growing up, there was this explosion of B television. 'Fresh Prince of Bel Air,' you have 'Family Matters,' 'A Different World.' I had examples - of black children, black families, black women, black men - that represented who I was.
There are three social classes in America: upper middle class, middle class, and lower middle class.
With a few notable exceptions, literary fiction in the U.K. is dominated by an upper and upper middle-class clique who usually have a tin ear for the demotic and who portray working-class characters with, at best, a benevolent condescension.
Growing up, I'd watch 'The Cosby Show' and 'The Fresh Prince of Bel Air;' I'd look at the little brown girls and be inspired by them.
I grew up in a working class neighborhood in Sweden, which, during my teens, gentrified and is now completely middle class and even upper middle class.
We do not need to minimize the poverty of the ghetto or the suffering inflicted by whites on blacks in order to see that the increasingly dangerous and unpredictable conditions of middle-class life have given rise to similar strategies for survival. Indeed the attraction of black culture for disaffected whites suggests that black culture now speaks to a general condition.
I think the working-class part of me comes out. Sometimes the people who have the loudest mouths are upper-class, upper-middle-class. The quietest are often working-class people, people who are broke. There is a fear of losing whatever it is that you have. I come from that background.
The upper class desire to remain so, the middle class wish to overthrow the upper class, and the lower class want a classless system.
The liberal wing of the feminist movement may have improved the lives of its middle- and upper-class constituency--indeed, 1992 was the Year of the White Middle Class Woman--but since the leadership of this faction of the feminist movement has singled out black men as the meta-enemy of women, these women represent one of the most serious threats to black male well-being since the Klan.
In real life there are indeed black people who have been in the middle class for generations, but in entertainment it's as if they don't exist.
The American middle class, it seems to me, is looking to politicians now to satisfy a pretty basic - and urgent - level of need. Yet people in the upper middle class - with their excellent health benefits, schools, salaries, retirement plans, nannies and private afterschool programs - have journeyed so far from that level of need that, it often seems to me, they literally cannot hear what resonates with the middle class. That creates a problematic blind spot for those who write, edit or produce what comes to be known about our politicians and their policies.
There's a very big gulf between the black civil rights leadership in America and the black middle class in America. The black middle class are conservative. Many of those minorities can be persuaded to be members of the Republican Party.
I myself am consummately middle class. We grew up in upper-middle-class suburbs in Oklahoma City, and thats very much the same ethos as what Richard Yates and John Cheever wrote about.
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