A Quote by John Ritter
I would get scripts about 'a young swinging bachelor on the make,' and I said, 'No, I've done that.'
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When you're younger, you get scripts that you are too young for and now I'm getting scripts, which I think, "I'm too old for this character." They can always shift things around to make it work and make the ages work. But I'm definitely getting more complex and interesting roles and less what you would expect. So I can experiment more and have a bit more freedom when I'm putting things on tape.
Dad has been my guiding force. Whenever I am confused about choosing a script, I discuss it with him. However, I have said 'no' to scripts he agreed to, while he has said 'yes,' too, for scripts I have turned down. We have this mutual understanding that works between us.
A. L. Vijay asked if I could dance, and I just said yes. I didn't tell him the only dancing I had done was on nights out in Liverpool. He said he would arrange workshops and help me with the scripts and the language. He liked the fact that I was English but had an Indian look.
The people in Coming of Age were far less curmudgeonly than you would think. The greater percentage said that without the young we'd be lost. One woman, a former Southern belle, now 87, a philanthropist, says, "Well, these young, their history's been stolen from them. And what have we done to make them respect us?"
When I was in New York, a lot of my friends were studying filmmaking and would bring their scripts to me, as I was a good script doctor. I would read their scripts and make corrections to them for $20 per script and was fascinated by films.
I'm done. I'm going to go to bed and read important books about theater." "It would would be easier if you just said porn," Scarlett said. "No idea what you're talking about. But knock first if you need me.
I did get offers from Hollywood, but they were all scripts with monsters in them. If I had done them, I would have disappeared. I would have come back to France anyway, and I would have had to start all over again and lost a lot of time.
The scripts of 'The Wire' are fantastic - the scripts of 'Breaking Bad,' the scripts of 'Mad Men,' the scripts of 'The Sopranos,' the scripts of 'Battlestar Galactica.' You could keep going on. They're incredibly well written.
I haven't had a chance to pick up a good book in a long time, because I've been either reading scripts or learning them or writing them. And so, by the time the day is done, I usually just want to click on The Bachelor and fall asleep. But I gravitate toward biographies and things like that.
What I've learned from fatherhood is that having a son cannot, did not, change my love for The Bachelor! I thought that having a son would make me grow up when it came to my TV viewing habits, but I love The Bachelor even more after having a child.
I see so few scripts just because, for whatever reason, there just aren't that many good scripts with a young, teenaged girl. So it's always been sporadic. People don't know what to do when writing a story with teens that takes place now - they think you have to make a bunch of references to Facebook.
I want a tutor,” Layla said. “It would make doing homework so much easier.” “Me too,” said Kaitlyn. “If Layla gets one, I get one.” “No daughter of mine will ever have a tutor,” Dad said. “What if we’re failing a course?” asked Layla. His graying eyebrows drew together. “If you fail a single course, young lady, we will pull you out of school and get you a job scrubbing toilets for the rest of your life.
Phrase it in an interesting way; don't phrase it in a mean or unfriendly way. Bob Dole said that if there's anything he would have done differently, he would have said [to George Bush] "Start telling the truth about my record" instead of "Stop lying about my record." Frankly, had he done that, life might be different for Bob Dole today.
I didn't want to be seen as just a guy on a list. I'm interested in good scripts, scripts that are about something, scripts that move your acting along.
I did get good enough to get on HBO's Young Comedians Special, but I certainly wasn't the person who got launched off of HBO's Young Comedians Special. That would be Ray Romano that year. I had some semi-intelligent jokes, but when people would see me, they would think, "Oh, that's a good writer." No one would ever have said, "Oh, that's a good performer."
I always said if a man would have done half the records that I've done, we would know about it. But we don't know all the records I've done for other artists.
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