A Quote by John Rocha

I think my love of form is especially informed by my background, whether this is creating a wonderful silhouette in a dress or finding the perfect shape for a bowl or the 'just so' angle of a table leg.
The thing I always try to remember is that feet are attached to the leg, and that you must prolong the silhouette. The shoe elongates the leg and does it discreetly. The goal is to get people to look at a woman's legs. It's all about the leg. No, it's not about the leg. It's about the woman.
I love to see a woman in high-heeled shoes. There's something about the curve of the feet up the leg to the butt that's really, really wonderful, and the right pair of shoes can give you the right silhouette.
I'm a real believer in dressing tone-on-tone. I'm not saying you need to dress black. Dress just one color so the colors are not breaking your silhouette.
I think it's interesting playing characters who are flawed and make mistakes because we all have - no one's just one thing - no one is just bad or just good - so I like finding flawed characters and playing with their redeeming qualities, whether you play it outwardly or not. I think that one of the reasons I'm an actor is that I love people and I love finding out who they are and why they do the things they do, so it is fun to play those kinds of characters.
My knee bends only to a 60 degree angle. Normally, like on my right leg, my heel can touch my glute if I just pull my leg back. On my left side, there's still a big percentage missing. That has made me change my style in the ring.
For a performer, passion is far more important than technical skills. If a dancer's leg isn't at a perfect angle, I can see past that, but if someone's dead in the face, it's really boring.
Creating a wonderful drama is an art form, while comedy is just entertainment.
I spend all day thinking of shopping. I love the thrill of finding that wonderful, perfect thing, the feeling of your heart racing because it's so right.
I'm a wonderful editor. That's what I do best. I know exactly what I want. If I have to decide whether to wear the red dress or the blue dress or what should I have said, I am constantly changing my mind.
Creating the fictional background for a game world isn't significantly different from creating a background for fiction.
I think poetry involves heightened noticing or imagining as well as creating a certain made shape. On the other hand, that shape can be made just by pointing at something and saying, "That's a poem".
All my career, I've said this: Critics and producers think audiences want actors that only present the silhouette and hit the points in the silhouette. What I do is too dangerous.
There are things that I am passionate about, whether it's the season or just kind sort of what is necessary for culture. I like the idea that I can shape the culture in any shape or form that I can in whatever topic. But a lot of times, for me, it is about representing "the other," whoever "the other" is.
I imagine that when I am creating a song or a project or an album or putting some clothing together or cooking a meal, whatever it is, I don't really have a recipe. The fun part is to throw that big piece of clay in the middle of the table as hard as I can, and whatever shape it takes, that's what shape it takes, and then I start to carve away.
I am interested in the shape of ideas even if I do not believe in them. There is a wonderful sentence in Augustine . . . "Do not despair: one of the thieves was saved; do not presume: one of the thieves was damned." That sentence had a wonderful shape. It is the shape that matters.
The bottom line is that (a) people are never perfect, but love can be, (b) that is the one and only way that the mediocre and the vile can be transformed, and (c) doing that makes it that. Loving makes love. Loving makes itself. We waste time looking for the perfect lover instead of creating the perfect love. Wouldn't that be the way to make love stay?
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