A Quote by John Ruskin
There is material enough in a single flower for the ornament of a score of cathedrals.
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Very often, people are obsessed with what others think of them. It's like if a flower wants to be a cactus or a palm but it's not. A flower is a flower, and that's enough. That's all you have to do is be a flower.
A flower is a daisy chain, a graduation, a valentine; a flower is New Year's Eve and an orchid in your hair; a flower is a single geranium blooming in a tin can on a murky city fire-escape; an acre of roses at the Botanical Gardens; and the first gold crocus of spring! ... a flower is a birth, a wedding, a leaving of this life.
Conducting is more difficult than playing a single instrument. You have to know the culture, to know the score, and to project what you want to hear. Some conductors are well prepared but cannot transmit their ideas to an orchestra, and others are good communicators but have nothing to transmit because they are not absorbed enough in the score.
A flower is not a flower. It is made only of non-flower elements - sunshine, clouds, time, space, earth, minerals, gardeners, and so on. A true flower contains the whole universe. If we return any one of these non-flower elements to its source, there will be no flower.
I always go back to the original material. I want a good connection as the composer and writer of the score to the director and to the source material. It's really important.
When I decide to score, I score. I know I am strong, but I believe it is not enough yet. I can kick fine, dribble very well, but I still have to improve.
If some one loves a flower of which just one example exists among all the millions and millions of stars, that's enough to make him happy when he looks at the stars. He tells himself, "My flower's up there somewhere. . . ." But if the sheep eats the flower, then for him it's as if, suddenly, all the stars went out. And that isn't important?
All the great works of art, the cathedrals - the Gothic cathedrals and the splendid Baroque churches - are a luminous sign of God, and thus are truly a manifestation, an epiphany of God.
* if someone loves a flower, of which just one single blossom grows, in all the millions of stars, it is enough to make him happy just to look at the stars.
Then I feel, Harry, that I have given away my whole soul to someone who treats it as if it were a flower to put in his coat, a bit of decoration to charm his vanity, an ornament for a summer's day.
When doing a revival, you have a lot of people asking you questions about someone who played it before, and to me that's neither here nor there - it has no bearing on the material that I have to use. The material that is written down in a score and script that the writers originally used is what I use.
These old ballparks are like cathedrals in America. We don't have big old Gothic cathedrals like they do in Europe. But we got baseball parks.
Rich people don't have to have a life-and-death relationship with the truth and its questions; they can ignore the truth and still thrive materially. I am not surprised many of them understand literature only as an ornament. Life is an ornament to them, relationships are ornaments, their “work” is but a flimsy, pretty ornament meant to momentarily thrill and capture attention. Why didn't I reread my F. Scott Fitzgerald sooner? I might have saved myself some time.
Not a single piece of material culture - not a single object - has been found at Giza that can be interpreted to come from a lost civilization.
One of the first principles of decorative art is that in all manufactures ornament must hold a place subordinate to that of utility; and when, by its exuberance, ornament interferes with utility, it is misplaced and vulgar.
Arresting a single drunk or a single vagrant who has harmed no identifiable person seems unjust, and in a sense it is. But failing to do anything about a score of drunks or a hundred vagrants may destroy an entire community.
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