A Quote by John Ruskin
No girl who is well bred, 'kind, and modest, is ever offensively plain; all real deformity means want of manners, or of heart.
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No person who is well bred, kind and modest is ever offensively plain; all real deformity means want for manners or of heart.
What, indeed, does not that word "cheerfulness" imply? It means a contented spirit, it means a pure heart, it means a kind and loving disposition; it means humility and charity; it means a generous appreciation of others, and a modest opinion of self.
Deformity of the heart I call
The worst deformity of all;
For what is form, or what is face,
But the soul's index, or its case?
It is ironic that people of modest means sometimes become conservative out of a scarcity fear bred by the very capitalist system they support.
A certain degree of ceremony is a necessary outwork of manners, as well as of religion; it keeps the forward and petulant at a proper distance, and is a very small restraint to the sensible and to the well-bred part of the world.
Manners are of such great consequence to the novelist that any kind will do. Bad manners are better than no manners at all, and because we are losing our customary manners, we are probably overly conscious of them; this seems to be a condition that produces writers.
Sometimes I pine for the era of Miss Manners, when there were hard and fast rules dictating a well-bred individual's behaviour in any given situation.
A country-bred man can always learn to get on with city people, but a town-bred fellah never gets the real hang of the country. You can put city polish on a man, but by golly, it seems you can't ever rub it off him.
I want an intelligent girl whom I can talk about everything. I want her to be my friend, to be partners. I don't like when a girl is rough, but delicate and subtle. I like good manners and not rudeness nor arrogance.
We lived in a very modest house. My father drove modest cars, we didn't travel, we didn't do any of the things that, were commensurate with the kind of income that he was making. So we got this kind of, double message, which was, y'know, "You work hard and you make as much money as you possibly can, but you don't spend any money." And you see how well I learned that lesson.
The delicious faces of children, the beauty of school-girls, "the sweet seriousness of sixteen," the lofty air of well-born, well-bred boys, the passionate histories in the looks and manners of youth and early manhood, and the varied power in all that well-known company that escort us through life,--we know how these forms thrill, paralyze, provoke, inspire, and enlarge us.
Yes, but also one of the problems for a novelist in Ireland is the fact that there are no formal manners. I mean some people have beautiful manners but there's no kind of agreed form of manners.
I look upon logical proofs the way a well-bred girl looks upon a love letter
And while you and the rest of your kind are battling together-year after year-for this special privilege of being 'bored to death,' the 'real girl' that you're asking about, the marvelous girl, the girl with the big, beautiful, unspoken thoughts in her head, the girl with the big, brave, undone deeds in her heart, the girl that stories are made of, the girl whom you call 'improbable'-is moping off alone in some dark, cold corner-or sitting forlornly partnerless against the bleak wall of the ballroom-or hiding shyly up in the dressing-room-waiting to be discovered!
It is not wit merely, but temper, which must form the well-bred man. In the same manner it is not a head merely, but a heart and resolution, which must complete the real philosopher.
Good manners are not bred in moments, but in years.
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