A Quote by John Ruskin

If it is the love of that which your work represents--if, being a landscape painter, it is love of hills and trees that moves you--if, being a figure painter, it is love of human beauty, and human soul that moves you--if, being a flower or animal painter, it is love, and wonder, and delight in petal and in limb that move you, then the Spirit is upon you, and the earth is yours, and the fullness thereof.
Of all the human values, three are most important. The foremost is love of God. Where there is love there is sacrifice. There arises purity of heart. There should be a fusion of love, sacrifice and purity. They are not mere human qualities. They constitute vital organs of a human being. They are as essential for a human being as the head, hands and legs for the body. Without these attributes, no one is a complete human being.
The love of husband and wife, which is creative of new human life, is a marvellously personal sharing in the creative love of God who brings into being the eternal soul that comes to every human being with the gift of human life.
Love really is the answer to human problems: love of oneself, love of others, love of where one is, love of what one is doing, love of nature, love of life, love of the world, love of spirit in all its wonder and splendor. Love sets our energy free. It opens us and puts us in a flow with spirit and life on many levels. Love is the true secret behind manifestation.
I'm a painter, that's where I started out, at four years old, that was my first love as far as expression. So, I'm not a painter in the sense of, "Please come see my paintings" but, I do understand the value of not looking over the artist's shoulder while the work is in progress.
Where the myth fails, human love begins. Then we love a human being, not our dream, but a human being with flaws.
Only the human figure exists; landscape is, and should be, no more than an accessory; the painter exclusively of landscape is nothing but a bore.
Love is in the pleasure of possession, but in the Love of Allah there is no pleasure of possession, because the stations of the Reality are wonderment, the cancelling of the debt which is owed, and the blinding of vision. The Love of the human being for God is a reverence which penetrates the very depths of his being, and which is not permitted to be given except to Allah alone. The Love of Allah for the human being is that He Himself gives proof of Himself, not revealing Himself to anything that is not He.
The greatest love of all is happening to me.. So goes the popular song. It's a great song. It speaks to the heart, and deeply. It strikes powerfully to uplift the human spirit, at the quest for self-love and self-esteem, the pride in being alive that each of us is entitled to experience simply by being born a human being.
I'm a painter. I'm still a painter and I will die a painter. Everything that I have developed has to do with extending visual principles off the canvas.
Growing up, my mom was a painter, my best friend was a painter, my husband is a painter. For a long time I knew artists, and I didn't know any writers.
I never consciously said, 'I want to be an actor.' It sounds stupid, but it's kind of like being a painter or something. You don't say, 'From today on I'm going to be a painter.' It's not something conscious - you've just been painting pictures all your life.
Take away a painter's vanity, said a famous landscape painter, and he will never touch a pencil again.
Love is a temporary madness. It erupts like an earthquake and then subsides. And when it subsides you have to make a decision. You have to work out whether your roots have become so entwined together that it is inconceivable that you should ever part. Because this is what love is. Love is not breathlessness, it is not excitement, it is not the promulgation of promises of eternal passion. That is just being in love which any of us can convince ourselves we are. Love itself is what is left over when being in love has burned away, and this is both an art and a fortunate accident.
Painter after painter, since the beginning of the century, has tended toward abstraction. First, the Impressionists simplified the landscape in terms of color, and then the Fauves simplified it again by adding distortion, which, for some reason, is a characteristic of our century.
Amory Lovins says the primary design criteria he uses is the question How do we love all the children? Not just our children, not just the ones who look like us or who have resources, not just the human children but the young of birds and salmon and redwood trees. When we love all the children, when that love is truly sacred to us in the sense of being most important, then we have to take action in the world to enact that love. We are called to make the earth a place where all the children can thrive.
I love being in a band. I love playing with other human beings. I've never practiced drums unless there was another human being in the room.
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