A Quote by John Ruskin
Nature is always mysterious and secret in her use of means; and art is always likest her when it is most inexplicable.
Related Quotes
Nature! We live in her midst and know her not. She is incessantly speaking to us, but betrays not her secret. We constantly act upon her, and yet have no power over her. Variant: NATURE! We are surrounded and embraced by her: powerless to separate ourselves from her, and powerless to penetrate beyond her.
Everything vanishes, falls apart, doesn't it? Nature is always the same but nothing in her that appears to us lasts. Our art must render the thrill of her permanence, along with her elements, the appearance of all her changes. It must give us a taste of her Eternity.
the world is not always kind to a clever woman even when she is visibly known to be earning her own living. There are always spiteful tongues wagging in the secret corners and byways, ready to assert that her work is not her own and and that some man is in the background, helping to keep her!
When Nature begins to reveal her open secret to a man, he feels an irresistible longing for her worthiest interpreter, Art.
The more we study Art, the less we care for Nature. What Art really reveals to us is Nature's lack of design, her curious crudities, her extraordinary monotony, her absolutely unfinished condition.
To be a woman condemned to a wretched and disgraceful punishment is no impediment to beauty, but it is an insurmountable obstacle to power. Like all persons of real genius, her ladyship well knew what accorded with her nature and her means. Poverty disgusted her -subjection deprived her of two-thirds of her greatness. Her ladyship was only a queen amongst queens: the enjoyment of satisfied pride was essential to her sway. To command beings of an inferior nature, was, to her, rather a humiliation than a pleasure.
The spectacle of Nature is always new, for she is always renewing the spectators. Life is her most exquisite invention; and death is her expert contrivance to get plenty of life.
Impostor; do not charge most innocent Nature, As if she would her children should be riotous With her abundance; she, good cateress, Means her provision only to the good, That live according to her sober laws, And holy dictate of spare temperance.
And may my bronze name / touch always her thousand fingers / grow brighter with her weeping / until I am fixed like a galaxy / and memorized / in her secret and fragile skies.
I saw sensuality as sacred, indeed the only sacredness, I saw woman and her beauty as divine since her calling is the most important task of existence: the propagation of the species. I saw woman as the personification of nature, as Isis, and man as her priest, her slave; and I pictured her treating him as cruelly as Nature, who, when she no longer needs something that has served her, tosses it away, while her abuses, indeed her killing it, are its lascivious bliss.
Religions are not proved, are not demonstrated, are not established, are not overthrown by logic! They are of all the mysteries of nature and the human mind, the most mysterious and most inexplicable; they are of instinct and not of reason.
Art is the child of Nature; yes, Her darling child, in whom we trace The features of the mother's face, Her aspect and her attitude, All her majestic loveliness Chastened and softened and subdued Into a more attractive grace, And with a human sense imbued. He is the greatest artist, then, Whether of pencil or of pen, Who follows Nature.
Maybe all wondrous books appear in our lives the way Milo’s tollbooth appears, an inexplicable gift, cast up by some curious chance that comes to feel, after we have finished and fallen in love with the book, like the workings of a secret purpose. Of all the enchantments of beloved books the most mysterious-the most phantasmal-is the way they always seem to come our way precisely when we need them.
Miley is always on, she’s always funny, she’s always writing songs, she’s always making music. The parallel of the film is like Miley says, going back to her home, going back to her roots. Getting back to Tennessee was art imitating life imitating art.
The footsteps of Nature are to be trac'd, not only in her ordinary course, but when she seems to be put to her shifts, to make many doublings and turnings, and to use some kind of art in endeavouring to avoid our discovery.
Josie Maran anything! Love her products, especially the argan sun block moisturizer, and RMS beauty anything, always. Her eye polish colors are insane. I also always keep an Eau So Sexy rollerball by Victoria's Secret in my bag.
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