A Quote by John Ruskin
I have seen, and heard, much of Cockney impudence before now; but never expected to hear a coxcomb ask two hundred guineas for flinging a pot of paint in the public's face.
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All the world says of a coxcomb that he is a coxcomb; but no one dares to say so to his face, and he dies without knowing it.
...what's always exciting is when you hear something amazing when you least expected it. Every now and then I'll hear something for the first time that forces me to re-examine my frames of reference, and re-consider musical parameters in general, and that's wonderful . And what's even more wonderful in a way, is when you hear something that you know, and already think you have an opinion about, and then suddenly discover that it isn't what you thought it was, but something quite different, which makes it just as surprising as if you'd never heard it before. That's REALLY great!
If you hear a C-major chord with an equal temperament, you've heard it a million times before and your brain accepts it. But if you hear a chord that you've never heard before, you're like, "huh."
When I was growing up, I think I was expected to be seen and not heard. You're this little, nerdy kid; no one wants to hear about how sad you are. Nobody wants to hear that you feel lonely.
You can never judge a paint hue by the liquid color in the paint pot. You must apply it to a wall, wait for the paint to dry, then decide.
I had seen this comic called 'Invincible' created by two people I had never heard of before, Robert Kirkman and Cory Walker, and I was a huge fan. 'Invincible' probably had five or six issues under the belt, and the book was so impressive to me, I was surprised that I had never heard of them before. It's like they came out wholly formed.
Foppery is never cured; it is the bad stamina of the mind, which, like those of the body, are never rectified; once a coxcomb always a coxcomb.
Kids don't want to hear the same record. There are a hundred million bands that they could listen to; you want to give them something that they've never heard before.
Some people with Tourette's have flinging tics- sudden, seemingly motiveless urges or compulsions to throw objects..... (I see somewhat similar flinging behaviors- though not tics- in my two year old godson, now in a stage of primal antinomianism and anarchy)
I would say we had two goals when doing this CD. The first goal is to introduce people who have never seen the show before to the best comics that are on the show. And goal number two is to introduce people that they never heard of before and give you a bit more flavor of what the show is actually like. And those goals are very much in line with the philosophy of the show from the very beginning. It's the very best people who are out there.
Manet did not do the expected. He was a pioneer. He followed his individual whim. Told the public what he wanted it to know, not the time worn things the public already knew and thought it wanted to hear again. The public was very much offended.
I said, I don't want to paint things like Picasso's women and Matisse's odalisques lying on couches with pillows. I don't want to paint people. I want to paint something I have never seen before. I don't want to make what I'm looking at. I want the fragments.
The drive to be useful is encoded in our genes. But when we gather in very large numbers, as in the modern nation-state, we seem capable of levels of folly and self-destruction to be found nowhere else in all of nature. But if we keep at it and keep alive, we are in for one surprise after another. We can build structures for human society never seen before, thoughts never heard before, music never heard before.
A collector recently bought at public auction, in London, for one hundred and fifty-seven guineas, an autograph of Shakespeare; but for nothing a school-boy can read Hamlet and can detect secrets of highest concernment yet unpublished therein.
I had never before seen my friends come in beaten, their heads laid open, their noses broken, or seen them jailed for peaceably demonstrating that they wanted work. I had only known how workers lived. Now I was face to face with what our society did to workers who could get no work.
I've known John Landgraf for 20 years. He said it perfectly. People will ask if I've seen X. My response has often been, 'Seen it? I've never heard of it.'
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