A Quote by John Ruskin

Depend upon it, the first universal characteristic of all great art is Tenderness, as the second is Truth. I find this more and more every day: an infinitude of tenderness is the chief gift and inheritance of all the truly great men. It is sure to involve a relative intensity of disdain towards base things, and an appearance of sternness and arrogance in the eyes of all hard, stupid, and vulgar people
An infinitude of tenderness is the chief gift and inheritance of all truly great men.
Depend upon it, the first universal characteristic of all great art is Tenderness, as the second is Truth.
A heart given to God loses none of its natural tenderness; on the contrary, the more pure and divine it becomes, the more such tenderness increases.
What distinguishes a great artist from a weak one is first their sensibility and tenderness; second, their imagination, and third, their industry.
True friends don’t spend time gazing into each other’s eyes. They may show great tenderness towards each other but they face in the same direction - toward common projects, goals - above all, towards a common Lord.
Live in the wisdom of accepted tenderness. Tenderness awakens within the security of knowing we are thoroughly and sincerely liked by someone... Scripture suggests that the essence of the divine nature is compassion and that the heart of God is defined by tenderness.
Women believe -- or at least often pretend to believe -- that all our tenderness for them springs from desire; that we love them when we have not for a time enjoyed them, and dismiss them when we are sated, or to express it more precisely, exhausted. There is no truth in this idea, though it may be made to appear true. When we are rigid with desire, we are apt to pretend a great tenderness in the hope of satisfying that desire; but at no other time are we in fact so liable to treat women brutally, and so unlikely to feel any deep emotion but one.
Courage is by no means incompatible with tenderness. On the contrary, gentleness and tenderness have been found to characterize the men, no less than the women, who have done the most courageous deeds.
You will find the Americans much as the Greeks found the Romans: great, big, vulgar, bustling people more vigorous than we are and also more idle, with more unspoiled virtues but also more corrupt.
These were people so hungry for love that they were accepting substitutes. There were embracing material things and expecting a sort of hug back. But it never works. You can't substitute material things for love or for gentleness or for tenderness or for a sense of comradeship. Money is no substitute for tenderness, and power is not a substitute for tenderness. I can tell you as I'm sitting here dying, when you most need it, neither money nor power will give you the feeling you're looking for, no matter how much of them you have.
The longer we live the more we think and the higher the value we put on friendship and tenderness towards parents and friends.
The Life of Johnson is assuredly a great, a very great work. Homer is not more decidedly the first of heroic poets. Shakespeare is not more decidedly the first of dramatists, Demosthenes is not more decidedly the first of orators, than Boswell is the first of biographers. He has no second.
A woman does not want the truth; what is truth to women? From the beginning, nothing has been more alien, repugnant, and hostile to woman than the truth - her great art is the lie, her highest concern is mere appearance and beauty.
Faith is so rare-and religion so common-because no one wants to live between first base and second base. Faith is the in-between space where you're not sure you'll make it to second base. You've let go of one thing and haven't yet latched into another. Most of us choose the security of first base.
There is a conceptual depth as well as a purely visual depth. The first is discovered by science; the second is revealed in art. The first aids us in understanding the reasons of things; the second in seeing their forms. In science we try to trace phenomena back to their first causes, and to general laws and principles. In art we are absorbed in their immediate appearance, and we enjoy this appearance to the fullest extent in all its richness and variety. Here we are not concerned with the uniformity of laws but with the multiformity and diversity of intuitions.
Old people, who have felt blows and toil and known the world's hard hand, need, even more than children do, a woman's tenderness.
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