A Quote by John Ruskin
No person who is well bred, kind and modest is ever offensively plain; all real deformity means want for manners or of heart.
Related Quotes
No girl who is well bred, 'kind, and modest, is ever offensively plain; all real deformity means want of manners, or of heart.
What, indeed, does not that word "cheerfulness" imply? It means a contented spirit, it means a pure heart, it means a kind and loving disposition; it means humility and charity; it means a generous appreciation of others, and a modest opinion of self.
Deformity of the heart I call
The worst deformity of all;
For what is form, or what is face,
But the soul's index, or its case?
Nor do we accept, as genuine the person not characterized by this blushing bashfulness, this youthfulness of heart, this sensibility to the sentiment of suavity and self-respect. Modesty is bred of self-reverence. Fine manners are the mantle of fair minds. None are truly great without this ornament.
It is ironic that people of modest means sometimes become conservative out of a scarcity fear bred by the very capitalist system they support.
A certain degree of ceremony is a necessary outwork of manners, as well as of religion; it keeps the forward and petulant at a proper distance, and is a very small restraint to the sensible and to the well-bred part of the world.
Manners are of such great consequence to the novelist that any kind will do. Bad manners are better than no manners at all, and because we are losing our customary manners, we are probably overly conscious of them; this seems to be a condition that produces writers.
Sometimes I pine for the era of Miss Manners, when there were hard and fast rules dictating a well-bred individual's behaviour in any given situation.
A country-bred man can always learn to get on with city people, but a town-bred fellah never gets the real hang of the country. You can put city polish on a man, but by golly, it seems you can't ever rub it off him.
We lived in a very modest house. My father drove modest cars, we didn't travel, we didn't do any of the things that, were commensurate with the kind of income that he was making. So we got this kind of, double message, which was, y'know, "You work hard and you make as much money as you possibly can, but you don't spend any money." And you see how well I learned that lesson.
The delicious faces of children, the beauty of school-girls, "the sweet seriousness of sixteen," the lofty air of well-born, well-bred boys, the passionate histories in the looks and manners of youth and early manhood, and the varied power in all that well-known company that escort us through life,--we know how these forms thrill, paralyze, provoke, inspire, and enlarge us.
Yes, but also one of the problems for a novelist in Ireland is the fact that there are no formal manners. I mean some people have beautiful manners but there's no kind of agreed form of manners.
It is not wit merely, but temper, which must form the well-bred man. In the same manner it is not a head merely, but a heart and resolution, which must complete the real philosopher.
Good manners are not bred in moments, but in years.
What my children appear to be on the surface is no matter to me. I am fooled neither by gracious manners nor by bad manners. I am interested in what is truly beneath each kind of manners...I want my children to be people- each one separate- each one special- each one a pleasant and exciting variation of all the others
A morning sunne, and a wine-bred child, and a latin-bred woman, seldome end well.
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