A Quote by John Rzeznik
We had always put ballads on all of our albums.
Related Quotes
Maybe you could put it out there that I don't have a built-in dislike of ballads. That was kind of the reputation I had back in the Seventies. But I've come around. Ballads have become something of an acquired taste.
The Raspberries had recorded some ballads on every one of our albums, but after 'Go All The Way' was successful Capital pretty much wanted to hear nothing but 'Go All The Way.'
A lot of my solo albums were produced by different people who had their idea of what songs I should do, and they had me doing a lot of ballads.
'Vol. 3' is the most pleasing of our albums to me. And I want to keep making albums that are different from each other. And you can bet all our albums will have that twist that only Slipknot can do.
What we try to do with all of our albums, is live out our musical fantasies in the most honest fashion we know how...We want to include songs that lyrically cover subjects ranging from the heaviest things we've ever done to light-hearted experiences that can best be presented through sentimental bluesy ballads that are usually good for a chuckle or two.
On every album I've put out, I've put diverse Canadian songs on it. They're not provincial album; my albums are national albums. There'll be a song about Saskatchewan and Vancouver and Nova Scotia on there.
Some of the albums I like best in the whole world are considered psychedelic albums. A psychedelic album is an album that when you put it on, if you listen to both sides, when it's over, your perceptions have been changed and I think that our record can do that.
With The Pogues, at least the first three albums I'll stand by completely, yeah? Because I was in artistic control then, yeah? And the last couple of albums I'll stand by anything that's got my name on it, yeah? But I'll stand by anything that is on The Popes' albums, you know? I wouldn't put stuff out that I didn't like. I don't put out bad music. And I can tell the difference. I know that.
First of all, I've been having a wonderful run of luck with cover albums, songs I didn't write. I had five pop cover albums and two Christmas albums, and they were all very successful.
I started running to different albums, and I was starting with the short albums and moving on to the longer albums. I was interested in how they built up, in tempo and intensity. it made me interested in albums again, too.
I don't know how my mom put up with us. We'd walk around school in torn jeans, put on this punk-rock image and sing ballads everywhere we went.
Here's a history lesson: when men took power of their lands, all of a sudden, women became a prize. In order for us to be protected, we had to make sure that we had our partner on our side. We were put in a position where our vulnerability was a life and death scenario. And we were taken advantage of, and we were put in a certain place that we had never been put in before.
I find the fact that so few people buy albums to be strangely emancipating. There's absolutely no reason for 99% of musicians making albums to think about actually selling albums. So as a musician you can just make an album for the love of making albums.
From all the years that I've been in the business, you know that ballads are what impact. Mid-tempos are great, you can sell some records on 'em, but when it comes down to it, ballads are the meat-and-potatoes on the album.
My favorite type of music to sing is definitely those big ballads, I just love doing those power ballads.
I dated someone in the '90s who was really into Metallica, and I remember thinking at the time, 'That just sounds so heavy and hard.' But they have great ballads! Great ballads.
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