A Quote by John Rzeznik
I have this dreadful image of me driving down Sunset Boulevard in Los Angeles, with the windows rolled down, and our song comes on... and I'm sitting there listening to it and some guy pulls up next to me and thinks, 'Hey, it's that guy from the Goo Goo Dolls... he's listening to his own music. What a jerk!'
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Yes, we started out as the Sex Maggots, then became the Goo Goo Dolls, well, and we're still the Goo Goo Dolls!
People recognize me wherever I go, where it used to be just New York. I guess people who aren't even baseball fans watch the World Series. I was driving down the freeway in Los Angeles over the winter and a guy pulled up next to me and gave me the finger.
I live in Los Angeles. It's a very liberal city, but it's so hypocritical in what it's liberal about. You can be driving down Hollywood Boulevard, see a guy in lipstick and high heels wearing a fur coat masturbating into a mailbox. People giving him a hard time as they drive by: Hey, is that real fur? Of course not! That's sick!
Every once in a while, I find something that I'm interested in just because of the singing, like the Goo Goo Dolls.
I grew up in Los Angeles, and I was always fascinated by the La Brea Tar Pits. Right in the middle of the city, in an area called the Miracle Mile, for crying out loud, we have these eldritch ponds of dark, bubbling goo. And down in the muck, there're all these amazing fossils: mammoth and saber tooth cat and dire wolf.
Now many of our Christians have what I call the 'goo-goo syndrome.' Good government. They want everybody to vote. I don't want everybody to vote. Elections are not won by a majority of people. They never have been from the beginning of our country, and they are not now. As a matter of fact our leverage in the elections quite candidly goes up as the voting populace goes down.
You spend all day getting the song goo,d and you're listening to it late at night, and you're happy with it. But you should sleep on it and come back in the morning and make sure.
Hip-hop to me right now is really easy listening. It's very easy listening, like there's nothing abrasive about it. There's no album that I put in my car that makes me roll down the windows - all the windows - and ride past the club line three times before I get out the car.
When I grew up, a director was Cecil B DeMille, a guy sitting down with a megaphone speaking. He was the voice of God, the image of God. When I went to start making docs, I quickly turned the megaphone to my ear not to my mouth. It's more about funneling in the words and listening as doc filmmaker.
I'm the guy who will persist in his path. I'm the guy who will make you laugh. I'm the guy who strives to be open. I'm the guy who's been heartbroken. I'm the guy who has been on his own, and I'm the guy who's felt alone. I'm the guy who holds your hand, and I'm the guy who will stand up and be a man. I'm the guy who tries to make things better. I'm the guy who's the whitest half Cuban ever. I'm the guy who's lost more than he's won. I'm the guy who's turn, but never spun. I'm the guy you couldn't see. I'm that guy, and that guy is me.
Stevie Wonder used to come the ball games and they would have a guy sitting with him. And the guy would be holding on to his arm, telling him what's going on, and he would say, "Hey, the big chocolate guy just put down a thunder dunk. The chocolate guy with another monster dunk." And Stevie Wonder actually gave me the nickname Chocolate Thunder.
If I can reach the guy in Alabama that hunts, and he hears that song, and he sees me - like, he's comfortable with me, my image as a person, as an artist - he's willing to sit down and give that song a chance.
When I flew from Orlando to Los Angeles in 1960, I sat next to a guy from Disney who was paying 75¢ an acre for land. I thought he was some special kind of fool - and since they built the park, history has proven there was a fool sitting in one of our seats.
I keep a $2 bill rolled up in every pair of boots I own because one time, an older guy came up to me at a farmer's market I was playing in Memphis, handed me a $2 bill, and said, 'Stick this in your boot.' And when I stood back up, he handed me a $100 bill and said, 'Thanks for listening to me. Stick this in your pocket.'
I don't think I can break down any doors, but I'm thinking, "Maybe I can be a cameraman, because I love the cameras." And the cameraman would show me how to thread the film, how to repair it, the lenses. That's when you become, like, goony goo-goo about it. You breathe and eat camera, and all of a sudden, you don't want anything else in the world. You finally know, "This is my calling." When you're passionate about something, it doesn't become work. It's art and it's fun. It's arduous, it's sweaty.
Sitting in a room, alone, listening to a CD is to be lonely. Sitting in a room alone with an LP crackling away, or sitting next to the turntable listening to a song at a time via 7-inch single is enjoying the sublime state of solitude.
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