A Quote by John Sandford

A lot of cops in fiction are very depressive and are kind of downbeat, and they've got all kinds of existential angst that they're dealing with. — © John Sandford
A lot of cops in fiction are very depressive and are kind of downbeat, and they've got all kinds of existential angst that they're dealing with.
It's in the DNA of all the shows that I have done that are about people that are dealing with very stressful situations that are giving them a lot of angst.
I always tell people that revelling in big ideas for me is kind of like an antidote to existential angst.
I have a very good life, so I have nothing to complain about. Sometimes, I just have existential angst.
You know when I was younger I used to look at Downbeat Magazine and I figured anybody in Downbeat must be making a living.
If literary fiction is reduced to only middle-class families dealing only with middle-class angst, then it’s really finished as a force for grappling with the world.
I can be very snobby about fiction, especially contemporary fiction. I can be kind of overly demanding, I think. But this is, I think, a good time. A lot of fiction comes out right now. So, I like reading the memoir. I love memoir, the biography, auto bio.
Any time there's a lot of pressure, it's life and death, you go toward this very dark kind of humor. Soldiers do it. Cops do it.
People in third-world countries are less eager to see movies full of angst over existential problems, and who can blame them. They've got other fish to fry. They'd rather see a few great dance routines and the guy end up with the girl.
Ive always enjoyed the teen angst thing. I had a lot of teen angst as I was growing up, so I think I have a lot to say about it through characters before I have to move on.
I took a great joy with inventing new kinds of mechanisms. I invented new kinds of machines. I've been a student of science fiction for a long, long time, and I'm very well-versed in science fact and science fiction.
I feel there's an existential angst among young people. I didn't have that. They see enormous mountains, where I only saw one little hill to climb.
I feel there’s an existential angst among young people. I didn’t have that. They see enormous mountains, where I only saw one little hill to climb.
As you see, I bear some resentment and some scars from the years of anti-genre bigotry. My own fiction, which moves freely around among realism, magical realism, science fiction, fantasy of various kinds, historical fiction, young adult fiction, parable, and other subgenres, to the point where much of it is ungenrifiable, all got shoved into the Sci Fi wastebasket or labeled as kiddilit - subliterature.
A lot of my songs are fantasy. I can dream up all kinds of things. That's the kind of world I live in. It's very sort of flamboyant, and that's the kind of way I write. I love it
I'm really good at making teen angst romantic. I'm really good at dealing with heartbreak and things like that and making it into this whole experience. But there's no way to make someone-on-the-Internet-said-something-mean-about-me into romantic angst where you can listen to music and cry or whatever.
The internet takes a lot of the anxiety of life away. It's a kind of deity. You're never lonely. You're always distracted. If you spend enough time on it, there's not really that nagging sensation of existential despair; it erases it very effectively. And it's monolithic. And thanks to it, we've got the ways to linger there after death - your blog exists afterwards, your e-mail exists afterwards.
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