I am from the countryside, very rural countryside, and I moved to Tokyo when I was 18 and have been living first-ever since. So yes, I am a city guy, but sometimes I sort of feel there's another me in a parallel world, still in the countryside.
I am interested in the ordinary sort of threat. I know that people are interested in things like serial killers and what have you, but actually, those aren't the sort of crimes that really happen very much. The sort of crimes that happen tend to be more of a domestic nature and quite banal, but the psychology behind them is always fascinating.
If I'm in the English countryside and get on my bicycle, I see what sort of strange inbred rural locals I can snap.
This is one of the last unique things to do in the business of sports, to return the National Football League to the city of Los Angeles. I happen to love the city of Los Angeles; I happen to love the NFL - and to somehow be a part of that, a helper in that process, is something I've always been interested in.
Afghanistan is a rural nation, where 85 percent of people live in the countryside. And out there it's very, very conservative, very tribal - almost medieval.
My belief, for what it is worth, is that city dwellers cannot understand the world. Insulated from reality by complex and expert systems of provision and police, baffled by fashion and spectacle, city dwellers can distinguish neither the sources of their existence nor the consequences.
Of all the peoples whom I have studied, from city dwellers to cliff dwellers, I always find that at least 50 percent would prefer to have at least one jungle between themselves and their mothers-in-law.
No rural community, no suburban community, can ever possess the distinctive qualities that city dwellers have for centuries given to the world.
The sharp differences between the way city dwellers and rural, suburban and exurban residents vote, think and live cannot be papered over by federal laws, federal rules or, clearly, by a president.
It was ironic that there I was finally painting the pictures I'd always wanted to paint and feeling very much at home in the countryside, and I ended up working in New York City, which is definitely the archetypal city.
Afghanistan has always been sort of a fractured nation, very tribal, where the countryside and the distant provinces have been run by custom, by tribal law and by tribal leaders rather than edicts from the central government in Kabul.
Not until the beginning of the 20th century did Europe's urban populations finally become self-sustaining: before then, constant immigration of healthy peasants from the countryside was necessary to make up for the constant deaths of city dwellers from crowd diseases.
I've never been interested in the convention of dialogue that facilitates narrative-it's always sort of bored me. I find myself zoning out just listening to cadences of voices and tonality and this sort of thing.
I have always been interested in entertaining, scoring goals, making things happen, doing things off the cuff, and Chris Coleman offered me that.
I was brought up in a very open, rural countryside in the middle of nowhere. There were no cell phones. If your lights went out, you were lit by candlelight for a good four days before they can get to you. And so, my imagination was crazy.
I'm very fortunate and grateful to wake up every morning in the rural countryside I live in, looking at farmland and these beautiful mountains.