A Quote by John Saxon
There certainly have been a lot of changes, although they come in such gradations that most people have either forgotten, or, if they're too young, they never knew about them in the first place.
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It's good that people come to the shows because there's nothing fashionable about Swans. Never has been, really. We've never been part of a scene. So the people that come are really there for the music. Fortunately, there's a lot of young people and a burgeoning female contingent, which is good as well.
I thought how you can never tell just by looking at them what they were thinking or what was happening In their lives. Even when you got daft people or drunk people on buses, people that went on stupid and shouted rubbish or tried to tell you all about themselves, you could never really tell about them either... I knew if somebody looked at me, they'd know nothing about me, either.
In formulating any philosophy the first consideration must always be: What can we know? That is, what can we be sure we know, or sure that we know we knew it, if indeed it is at all knowable. Or have we simply forgotten it and are too embarrassed to say anything? Descartes hinted at the problem when he wrote, 'My mind can never know my body, although it has become quite friendly with my legs.
My first time being inside the Performance Center was for the WWE Tough Enough tryouts, and although I knew hardly anything about sports-entertainment, I knew I wanted to be a part of this place.
I never doubted the issue from the beginning. I knew I was too good for Burns. I have forgotten more about fighting than Burns ever knew.
I was talking to the great Armen Ra, the world's most renowned theremin player, and he told me, "I don't trust old people that do drugs, but I don't trust young people that don't do them." I think what he meant by that is that you've got to be young, you've got to be adventurous and experimental. I'm certainly not asking any of my fans or kids to do drugs, but I certainly wouldn't judge them for doing them.
The demographic of our audience is young. It also contains a high proportion of black, Jewish and gay people, who have all been encouraged by society to think of themselves as oddities or mutants. I hope that's why X-Men chimes with them - it's certainly why I was attracted to the idea in the first place.
I remain deeply concerned about falling wages and the lack of good jobs for Americans. Too many of our citizens are either stuck in place or falling behind, and too often their needs are forgotten.
I won because of the fact that people that are great, great American people have been forgotten. I call them the forgotten man and the forgotten woman. They've been forgotten.
We do a lot of shows for young people who have probably never been to the theater before and they are learning about the Holocaust, which unhappily, many of them do not know about.
"Only write what you know" is very good advice. I do my best to stick to it. I wrote about gods and dreams and America because I knew about them. And I wrote about what it's like to wander into Faerie because I knew about that. I wrote about living underneath London because I knew about that too. And I put people into the stories because I knew them: the ones with pumpkins for heads, and the serial killers with eyes for teeth, and the little chocolate people filled with raspberry cream and the rest of them.
When we forgive someone, we do not forget the hurtful act, as if forgetting came along with the forgiveness package, the way strings come with a violin. Begin with the basics. If you forget, you will not forgive at all. You can never forgive people for things you have forgotten about. You need to forgive precisely because you have not forgotten what someone did; your memory keeps the pain alive long after the hurt has stopped. Remembering is the storage of pain. It is why you need to be healed in the first place.
The people of Alabama are fed up. They are tired of politicians who lie to them, and they are sick of elected officials who've been in Washington so long they've forgotten why they ran in the first place.
She started thinking about all the euphemisms for death, all the anxious taboos that had always fascinated her. It was too bad you could never have an intelligent discussion on the subject. People were either too young or too old, or else they didn't have time.
I was born in Bradford, a city in the north of England that God forgot about. A place where most people never leave, but if they do, they certainly never go back.
'Almost' is all about gradations and nuance and about suggestion and shades. Not quite a red wine, but not crimson, not purple either, or maroon; come to think of it, 'almost' Bordeaux.
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