A Quote by John Sayles
And it was out in the theaters in two weeks. This is not, 'We're going to develop twenty-five and maybe one's going to get made,' so the first three things I wrote got up on the screen and, good, bad or indifferent, I got to see them on their feet.
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I don't believe in holy writ. Buy fifty books or twenty-five books, take three weeks off, read them and make up your own theory. The fact that you end up literally burning twenty-two out of twenty-five books is beside the point.
Rio in four years; I've got more inspiration in the last two, three weeks. I'm sure I'm going to get more in the Paralympics in the next coming weeks, so by the end of this season, I'm going to take a month off, and then the next four years is going to be good.
When I decided to go to L.A. I said I was going to quit modelling and just go and see how I do. In the first two weeks I got three movies. I was so excited I had all my furniture shipped out from New York.
I've been really lucky. When I decided to go to L.A., I said I was going to quit modelling and just go and see how I do. In the first two weeks, I got three movies. I was so excited, I had all my furniture shipped out from New York.
But you have to trust your instincts. Because you're not going to try it 20 different ways during rehearsal. You'll try it two or three different ways, maybe, but then you've got five other scenes you're shooting that day. You've got to keep going.
I can remember having meetings with my coaches when things were going bad. I told them, 'Hey, we've got to be positive. This is the time we need to step up. You've got to make sure they know everything is going to be okay. Keep teaching. Once they see you are down, you lose them and that can't happen.'
I've been really lucky. When I decided to go to LA I said I was going to quit modelling and just go and see how I do. In the first two weeks I got three movies. I was so excited I had all my furniture shipped out from New York.
I got used to being a writer. To compare it to teaching - I taught for twenty-five years; for the first two or three years it was heady. I was discovering that I could do something and do it well. Be useful to people. It was exhilarating, sort of like the first two weeks of being in love with somebody, and then it becomes like the third bite of pizza. The first bite is wonderful. The second bite is not disappointing. The third? Meh. You get used to it.
We have a philosophy of we'll keep putting it up until people get it. We did that actually these last three weeks with Cracked Out from New York. People didn't really understand them. We put them up three weeks ago and they just got stared at.
It's always the same when you don't get enough snaps. If we can get it going, stay on the field, the beauty of the offense is they'll all get involved in it. You've got to have drives, you've got to make first downs. You can't get players involved if you only have three plays and out. That's not real good.
A lot of the projects I've allowed myself to get involved with over the past few years have made me a bit unfocused. It's just so ridiculously easy to do things here; if you're part of the scene, in five minutes you can wind up with two gigs within three days of each other. There's too much going on here and that's a bad thing, to me. Unless you want to jam, and then it's good.
I made two or three albums with money from my own pocket, but I couldn't get them released or played on the radio. I got tired of beating my brains out. I got very depressed. I took a break from the business. Then I got bored with that and had to come back.
When you're hanging there twenty feet off the ground, surrounded by green screen, and all you've got is the other actor and the wonderful Gavin Hood shouting instructions at you as to what's going on; it's a really unique experience.
I saw an advertisement the other day for the secret of life. It said "The secret of life can be yours for twenty-five shillings. Sent to Secret of Life Institute, Willesden." So I wrote away, seemed a good bargain, secret of life, twenty-five shillings. And I got a letter back saying, "If you think you can get the secret of life for twenty-five shillings, you don't deserve to have it. Send fifty shillings for the secret of life."
Now, everybody knows the basic erogenous zones. You got one, two, three, four, five, six, and seven. ... OK, now most guys will hit one, two, three and then go to seven and set up camp. ... You want to hit 'em all and you wanna mix 'em up. You gotta keep 'em on their toes. ... You could start out with a little one. A two. A one, two, three. A three. A five. A four. A three, two. Two. A two, four, six. Two, four, six. Four. Two. Two. Four, seven! Five, seven! Six, seven! Seven! Seven! Seven! Seven! Seven! Seven! Seven! Seven! Seven! [holds up seven fingers]
We've got to practice three weeks, get the kinks out, then we've got to practice three weeks with the crew, and then go out for four months. It's just a huge chunk of time out of life.
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