A Quote by John Sayles
Not that I've always loved the movie when they finally come out, or if they ever come out-because many of them don't come out-but I've gotten to work with really good story editors and stuff like that.
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People would say to him, "When you finish a movie, did it come out as good as you thought it was going to?" Or, "Did it come out the way you intended it to come out?"
Whatever you are inside, the good and bad will manifest in the outside world. It will come out in some way. It will come out in your work. It will come out in words. It will come out.
If you're serious about singing or acting, which are two art forms that get repetitive, the way to keep the music fresh is to recognize that it is totally impossible for it to ever be the same, night after night. You open your mouth and you'd like a certain sound to come out of it, but it doesn't always come out exactly like you thought it was going to come out!
I can make films. And some of them come out good, and some of them come out better, and some of them come out worse. But I've been very lucky over the years to be able to sustain the length of career that I've had.
Is it different to come out now than it was to come out thirty-five years ago? Sometimes. But if you come out now and you come from poverty and you come from racism, you come from the terror of communities that are immigrant communities or communities where you're already a moving target because of who you are, this is not a place where it's any easier to be LGBT even if there's a community center in every single borough.
I really believe that we all have the ability to come out of our story. But you have to tell your story first in order to come out of it.
I respect my competitors, you know, I get respect back from them. I respect people out there who pay for their tickets to come watch us compete. And I respect the reporters because they've got to come out here and tell a good story. That's what it is. It's just a cycle of respect.
Well, I don't ever leave out details, in that I don't come up with information or description which I don't then use. I only ever come up with what seems to me absolutely essential to make the story work. I'm not usually an overwriter. As I revise, it's usually a matter of adding in as much vivid details as seem necessary to make the story come clear without slowing down the momentum of the story.
The Control movie is not about suicide, it's not about epilepsy, it's not about everything else, but it's about an individual who was thinking out of the box and took his own passion and created music. His negativity and whatever else, he bottled them up and spilled them out onto his world of music. I think a sense of hope comes from the end of the movie, in my mind. Some people come out of the movie and think, 'That's the saddest thing I've ever seen,' and others come out and think, 'God, there's optimism.'
(on grief) And you do come out of it, that’s true. After a year, after five. But you don’t come out of it like a train coming out of a tunnel, bursting through the downs into sunshine and that swift, rattling descent to the Channel; you come out of it as a gull comes out of an oil-slick. You are tarred and feathered for life.
I've always loved UFC. I watched it back since the days it wasn't big in Australia at all, and you had to watch a Blockbuster videos. They would always come like a year late, but I tried as many of the live ones I could or wait for the videos to come out. So, I've loved the sport for that long. I've always been into martial arts.
So usually even if you like a sentence or a story or something, it won't come out that way - it'll come out years later, and in a different way, and you don't really control that.
Gay brothers and sisters... You must come out. Come out to your relatives... come out to your friends... Come out to your neighbors... to your fellow workers... to the people who work where you eat and shop... break down the myths, destroy the lies and distortions. For your sake. For their sake. For the sake of the youngsters who are becoming scared.
I never edit the songs that come out. And they tend to come out as a whole. The closest thing I have ever done to editing them is just cutting out a verse, but never rewriting lyrics.
Who do you know, who could come out on a flying carpet? P. Diddy standing at the bottom, come out like a concert, dancing, oozing confidence, and then get in and take somebody out? Come on, do you know anybody in the history of the sport that did what Prince Naseem did? I ain't trying to brag, but I was bloody good at it.
I really enjoy auditions anyway because I think that even if you come out of them, and you go in once and it never goes anywhere, there is something that you bring out of it or a note that will come back to your agent and that's the way you learn.
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