A Quote by John Scalzi

When it came time to make the audiobook, Audible did an ingenious thing: they asked both Wil Wheaton and Amber Benson to record entire versions of the book. As the author, I'm impressed with Audible's commitment to my narrative -- and I'm geeking out that both Wil and Amber are reading my book. This is fantastic.
I want a magical horse that fits in my pocket," Wil said. "And a ring of red amber that gives me power over demons. And an endless supply of cake.
I've gotten such good feedback from that [re-team with Wil Wheaton for Big Bang Theory appearance], and I hardly did anything.
(Wil Wheaton) was so fun to have on the set, and he was such a good guy, just in general. He seemed to be completely okay with the fact that his entire name became a mantra of vengeful hate. That didn't seem to bother him.
My best friend, Wil Wheaton, identifies himself as a geek.
Because, as we know, almost anything can be read into any book if you are determined enough. This will be especially impressed on anyone who has written fantastic fiction. He will find reviewers, both favourable and hostile, reading into his stories all manner of allegorical meanings which he never intended. (Some of the allegories thus imposed on my own books have been so ingenious and interesting that I often wish I had thought of them myself.)
Wil Wheaton, Patrick Stewart and Jonathan Frakes were all the early formidable crushes of my girlhood.
More and more of my audio fans are asking for audiobook versions - files without the intro/outro/etc that go into the podcasts. More and more want them from Audible.
I always dread the process of writing because I'm not a writer. I'm an audible guy, I'm a verbal guy. I love to talk. I write a book every couple years, but it just takes everything out of me to get a book out.
That was a surprise. I just had wished that Wil Wheaton was there. He was missing from the last show and it would have been nice if everyone could have been there.
I just write the sort of book that I would enjoy reading myself, a book that is both scholarly and recreates the experience of people at that time.
The first comic I can remember ever reading was a 'Fantastic Four' issue that my dad bought out of the drugstore once. The thing that struck me about it was that the ending wasn't an ending. It was essentially a cliffhanger. It was the first time I had ever read anything like that, where you read a book, but the book isn't the book.
It took about three minutes for the unassuming Waffle House to become the new offices of the law firm of Amber, Amber, Amber, and Madison. They set up camp in a clump of booths in the corner opposite from us. A few of them gave me an "oh, good, you are still alive" nod, but for the most part, they had no interest in anyone else.
The mountain at a given distance In amber lies; Approached, the amber flits a little,-- And that's the skies!
Reading a hard copy book, and reading a book on an iPad are slightly different experiences. What they both have in common though is that you must engage your imagination in the process.
It's just a wonderful experience and it's fun when you make a film and people go to it to emote and in my picture you hear the audible sobbing and then you hear the audible laughter and then you see people leaving the theater with a little bit of spring in their step. It's just great to be part of one that lasts a long time.
A book , once it is printed and published, becomes individual. It is by its publication as decisively severed from its author as in parturition a child is cut off from its parent. The book "means" thereafter, perforce, both grammatically and actually, whatever meaning this or that reader gets out of it.
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