A Quote by John Schneider
People have come to me for my opinion since 'October Baby.' But, hey, look, I'm an actor who is very fortunate to be in a movie that's making wonderful noise, and hopefully helping parents and children to be a little closer. Leave me alone. I'm not talking about politics. I'm just trying to have a conversation with my own kids.
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Talking to the parents of older kids was helpful for me, since parents of kids the same age as yours won't admit how horrible their children are.
We [with John Logan] started talking about The Searchers, and then he went on to tell me a story about when he first met John Wayne, and he said, "Hey, you be me and I'll be Wayne," and I said, "No, let me be Wayne!" Anyway, it was a very pleasant conversation, it was clear to him that I was a big movie fan, and by the time I got home, there was a phone call, asking if I'd mind doing one scene in the movie [The Aviator].
Even though I'm an actor, even though I know a little bit about film, I very much view things as an audience member. For me, whether it's TV, film, theater, whatever, it's a big movie, a small movie, whatever it is, I look for the truth in it. I look for the honesty. I just look for if it feels honest and real to me.
Comedy is a wonderful device for distance that allows us to look at what we're talking about with some degree of distance and hopefully with a bit more perspective and honesty. With many exceptions, a movie with no jokes is far less appealing to me.
I've gotten a lot of young gay kids come up to me and talk to me about how the little things I've said in the press has helped them come out to their parents, or just be open with who they are, and feeling invigorated by that. So that honestly means a lot to me to hear that the things that I say in the press, they do hear, and they see, and it helps them at least to start the conversation.
Well, the experience for me making a film is the most profound one. I really don’t have any business watching the movie so much. Maybe I could watch it for entertainment purposes, but you have so little input and control of the final product once you’re done that I feel like I just would rather leave it alone. It kind of leaves me in a place where every film I do, I’m kind of having to reinvent and figure out how to start again fresh, and hopefully not repeat myself.
I've been very lucky and fortunate to meet people that are very inspirational in their spirits, too, and not just as filmmakers - in their personal life. I mean, Steven Spielberg is very inspirational just to sit down and talk for an hour, like Ingmar Bergman was. They know so much about life and, you know, movie-making, so it's just wonderful to be around those people.
It's the universal feeling that we all are alone - that we're all different. I think the movie's one resounding theme is that everybody feels the same, and we're all alone together. Some people come up to me on the street and thank me for helping them get through their teen years.
When I was a little boy, there were a lot of children with physical problems in my hometown, and my parents used to work with them, and I learned a lot about that. Since I was a child, helping out, doing what I can, was something that fulfilled me.
I was always taught that no matter where you are, you leave your fingerprints on that city and an impression on children and parents. That's what kind of drives me, to see the kids look up to you and want to be like you - just be something special.
In Hollywood, whenever you do anything, it seems like there's going to be 30 of them. When I did 'Look Who's Talking,' people went: 'Oh but there's going to be this baby movie and that baby movie.' I can't worry about that. I can only do what I want to do.
I feel so fortunate, Because some people think, well you're just relegated to the sideline. But I feel valued there. They trust me. We work very, very hard at making it worthwhile. We are not going to just be down there spewing a bunch of blah. With our halftime talking to the coaches we are really trying to get something meaningful there and something that helps spin the game forward.
When I lived in Pinetop I just wanted to leave - I thought the city was where I belonged. But now that I'm living in the city, I love it for what it is. It's brought me closer to my art and put me in the right place as far as having people around me. It's very inspiring, but I miss our little town. There's something very simple and beautiful about growing up in a small place. That's where my heart is, for real.
I have dogs, and it's no secret that I find reptiles interesting, but the thing about reptiles is that they really just wanna be left alone, and I understand them. It's, 'Don't pick me up, stop holding me, don't look at me, just leave me alone.' I have to admit, sometimes I feel like that.
Parents don't come full bloom at the birth of the first baby. In fact parenting is about growing. It's about our own growing as much as it is about our children's growing and that kind of growing happens little by little.
I'm trying to think, like, 'Wow, I know one day, my kids are not going to live with me. They're gonna be like, 'Oh my god, Mom, leave me alone!' So I try to be grateful for all the little things. Perspective really lets me slow down.
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