A Quote by John Searles

I think I'm more sympathetic to writers, to the work and the struggle and the craft of it, than when I was in graduate school at NYU and was very judgmental. — © John Searles
I think I'm more sympathetic to writers, to the work and the struggle and the craft of it, than when I was in graduate school at NYU and was very judgmental.
I went to NYU for a year and a half, and I graduated from there and then years later went to Columbia for graduate school.
I was really desperate. I don't know if you can remember back that far, but when I went to graduate school they didn't want females in graduate school. They were very open about it. They didn't mince their words. But then I got in and I got my degree.
If my life is any example, the work that youth workers are doing is very, very important. It tends to get marginalized in the church or seen as less important than being a senior minister in a large, prosperous congregation; but I don't believe that for a minute. I think this is absolutely critical work in the life of the church; and I think my path in life would have been much different if it hadn't been for my youth minister, Burt Randle, and a series of campus ministers in both college and graduate school.
In America, where writers are preoccupied with the craft of writing, I always try to introduce this concept of the badly written good story. Turning the hierarchy around and putting passion on top and not craft, because when you just focus on craft, you can write something that is very sterile.
I went to NYU graduate film school and met Pam [Romanowsky], and after doing a few things with her I thought she had the right sensibility and that she could figure it [The Adderall Diaries] out.
Writers learn their craft, above all, from the work of other writers. From reading.
I'd studied English literature and American history, but the English literature, which I thought was going to be helpful to me in an immediate way, was the opposite. So I had to un-think a lot of things and move out of my own head, and I learned a lot. It was like graduate school, but an un-graduate school or an un-school.
To grow, to become spiritually alive, and vibrant, you really have to struggle. Without struggle, you do not move at all...I would appreciate it if readers who come to my work would try very, very, very hard not to think narrowly as we are taught to think in America.
People who graduate are more resilient financially, and they weather economic downturns better than people who don't graduate. And, throughout their lives, people who graduate are more likely to be economically secure, more likely to be healthy, and more likely to live longer. Face it: A college degree puts a lot in your corner.
Understood what the struggle was about. My mother. Couldn't read or write, but she had more sense than many a graduate from Harvard.
I went to graduate film school at NYU, and at first I didn't get a degree, because I took a scholarship that was supposed to pay my tuition, and I used it to make a film. For the longest time, I never actually graduated. And about 70 percent of the things I learned there I had to unlearn, but 30 percent was really valuable. It's like Mark Twain said, "Don't let school get in the way of your education."
I love working with women. I think they're beautiful. I like to photograph them. I like the way they interact. When I was in high school I used to hang out with the girls. When I went to graduate school, I was in an all girls school. So it's something I'm very familiar with and quite fascinated by.
Talking to all those great writers and artists for the magazine was a form of graduate school for me.
Research shows us that children who are read to from a very early age are more likely to begin reading themselves at an early age. They're more likely to excell in school. They're more likely to graduate secondary school and go to college.
Literary interviews are inevitably packed with the nuts and bolts of how writers do their work, and there's very little that aspiring writers do more readily than fling other people's nuts and bolts into their toolboxes.
I'm more concerned with the work people do than their gender. When I was younger, I was pretty judgmental. Things had to be a certain way. Now I just want to see the work. It doesn't matter who does it.
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