A Quote by John Sexton

Many photographers are consumed with the idea of making beautiful contact sheets. I am far more interested in making the best final print I can. — © John Sexton
Many photographers are consumed with the idea of making beautiful contact sheets. I am far more interested in making the best final print I can.
Well, I'm really interested in the idea of making genre films, but movies have a much more personal undercurrent to them and that look beautiful, and that's sort of the films I'm kind of interested in making.
I'm pretty selective. I generally edit the contact sheets and then do work prints. Because I have my own lab and printers, I can afford the luxury of going through the contact sheets for black-and-white, making up work prints, seeing them big, and honing them down.
I'm not interested in making an album that's just dark and pummelling for an hour, nor am I interested in making a beatless record from start to finish.
I like making series, for a couple reasons. One, the repetition of routine is very healthy because I can get a little crazy; I want to be making things all the time. And if I publish something every week, I don't have to put every idea I have into one piece. It's more like, here's one idea: execute it, see it through, think about it, do it the best you can. And then there are going to be ten more ideas that come while you're making that, because creativity works that way.
I'm not interested in making what's easy. I'm interested in making what's beautiful.
But the customer is the final, final filter. What survives the whole process is what people wear. I'm not interested in making clothes that end up in some dusty museum.
I like to be on my own when I look at my contact sheets, because I'm often disappointed... But as years go by we become proud of our old contact sheets. They are a tool that allows us to fight against time.
I am aware that many divines are far more marvelous than I am, and that I cannot wholly appreciate merits so far transcending my own. Nevertheless, even after making allowances under this head, I cannot but think that Omnipotence operating through all eternity might have produced something better.
I'm not interested in painting; I'm not interested in making a picture. Then what the hell am I interested in? I must be interested in this process.
If I'm making consistent contact, even if they're outs or right at somebody, if I'm just making consistent contact, I'm happy.
The public needs art, and it is the responsibility of a ’self-proclaimed artist’ to realize the public needs art, and not to make bourgeois art for the few and ignore the masses. … I am interested in making art to be experienced and explored by as many individuals as possible with as many different individual ideas about the given piece with no final meaning attached. The viewer creates the reality, the meaning, the conception of the piece. I am merely a middleman trying to bring ideas together.
I watch women continuously. I want them to look beautiful, I am not interested in making them funny, but just beautiful. They have got to look marvelous to please their own men.
I am really proud of other things in my career: being in the top five, reaching the final of a grand slam twice. I'm actually even more proud of making it to the French Open final in 2010 than the previous year.
I'm more interested in the idea of role-playing in general than the idea of role-playing in art. I like the childlike quality of making pretend or the optimistic idea of pretending something's happening when it's not.
A photograph is a photograph. When I am making a picture I am just interested in making a very interesting photograph. I don't care where it's going to go.
I'm not interested in making horror-comedies, but I'm very interested in making scary movies with funny parts.
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