A Quote by John Sexton
So when I became interested in photography and further being inspired by the work that I saw of Ansel and others, it was a natural extension to go back to these places that I knew as a kid and explore them with my camera.
Related Quotes
Back in the day, I actually studied photography in Florence for a few months, and my photography teacher took away my digital camera and said, 'No, use this - it's analog and it's square.' It was a Holga camera, a very cheap $3 or $4 plastic camera. And that's what inspired 'Instagram'.
Philip Greenspun had a huge impact on me. He was the first person I knew of that embraced online communities, created a real business around open source, gave back to the community through education, and inspired me to explore photography.
My whole interest in food grew from my interest in gardens and the question of how we engage with the natural world. To go back even further, I got interested in gardens because I was interested in nature and wilderness and Thoreau and Emerson.
Wilderness, to me, is a spiritual necessity. The mysterious spiritual experience of being close to natural restored my soul [after the death of his son]. My experience reinforced by dedication to use the art of photography as an inspiration for others to work together to save nature's places of spiritual sanctuary for future generations.
My work is my language and I don't discuss it very easily. It's difficult for me to verbalize my feelings, or to intellectualize my work. In fact, it used to annoy me when Ansel Adams and Paul Strand yak-yak-yakked about what photography meant, and I told them so.
The further forward we go, the further back we have to explore in order to go forward again.
In Eden I "saw" that Adam or Eve probably spoke each word FOR THE FIRST TIME and that seemed wild and seemed to me that that might have brought them to some essence of language. Once I "saw" the city, I knew it was real. once I saw that a poem was a house, i knew it was real and could go back to it or else write a flurry of poems around it, both worked.
Sometimes I'm more inspired by stuff that tells a story and less inspired by stuff that's not a natural extension of what I'm already doing.
I find it some of the hardest photography and the most challenging photography I've ever done. It's a real challenge to work with the natural features and the natural light.
I saw the excitement, going to different places, being able to explore emotion in a healthy way.
Humans have changed the landscape so much, but images of the sea could be shared with primordial people. I just project my imagination on to the viewer, even the first human being. I think first and then imagine some scenes. Then I go out and look for them. Or I re-create these images with my camera. I love photography because photography is the most believable medium. Painting can lie, but photography never lies: that is what people used to believe.
The only thing which completely was an amazement to me and brought me to photography was the work of Munkacsi. When I saw the photograph of Munkacsi of the black kids running in a wave, I couldn't believe such a thing could be caught with the camera. I said, 'Damn it', I took my camera and went out into the street.
I was always painting when I was a kid. But then when I handled a camera when I was 17, that was it for me. I loved photography. I would work 4 or 5 hours a day. It was like a calling.
I want to explore a new place each year, and it can be within India. When I was shooting for 'Mohenjo Daro', I couldn't travel out of the country for two years. But it gave me an opportunity to explore new places within India. I'm sure there are so many places to explore in India, and I would love to go there.
In 1979, I received a phone call from Ansel Adams asking me if I would be willing to consider coming to work for him. I was teaching photography in Southern California at that point.
One of my passions is photography. I always carry a camera in my bag whenever I travel. I always take pictures wherever I go, and some of them end up being really crazy ones.
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