A Quote by John Shelby Spong
I've probably read maybe by now fifteen, twenty books on Matthew. I'd say the authors I like best are an English fellow named Michael Goulder, who taught at the University of Birmingham in England, and he writes about the Jewish background in Matthew's gospel, which is part of what I was just talking about, which is just really thrilling to me.
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Another [book on Matthew] is Amy-Jill Levine, who is a Jewish woman who teaches New Testament at the Vanderbilt School of Religion. It's a group of essays by mostly womanly scholars looking at Matthew's gospel through feminists' eyes - very exciting. It opens up all sorts of things that I've never thought about.
The thing that intrigues me about Matthew is that I don't believe anybody would read it if they aren't Jewish and understand it. And so to say that publicly as a Christian is kind of interesting.
Matthew Vaughn phoned me up and he said, "Hey, listen, the movie has just done gangbusters. We've got to do the second one." And I was like, "Matthew, I have no second book. Dave and I haven't done it," and he's like, "You're kidding!" He said, "This movie's just made $420 million!" I was like, "...We've got nothing." So the amazing thing was, because we own the rights, we still get paid and everything, which is fantastic.
The Secret Service I'm really excited about because Matthew Vaughn directed it. I've done a couple of movies with him - Stardust, which is one of my favorite films, and Kick-Ass, which is just a crazy, wonderful movie.
I didn't really know much about the Houdinis when I started. As soon as they sent me the script, I wanted to find out everything I could about Bess. Luckily, I have a really wonderful friend named Michael Mitnick, who's a writer. He was a magician as a child, and that led him to the theater, which led to drama school, and he writes films now. Magic was really his thing, growing up, so he put me in touch with his magic teacher who is a real Houdini expert.
Pantaenus was one of these and is said to have gone to India. It is reported that among persons there who knew of Christ, he found the Gospel according to Matthew, which had anticipated his own arrival. For Bartholomew, one of the apostles, had preached to them, and left with them the writing of Matthew in the Hebrew language, which they had preserved till that time. After many good deeds, Pantaenus finally became the head of the school at Alexandria, and expounded the treasures of divine doctrine both orally and in writing.
I'm just doing what I've done my whole life, which is talking to people about books and making them read. It's what I do in my friendships. "Here, you have to read this, you have to read this."
Matthew Davidson is blessed with a God-given, born-in-the-bone, talent. His musicianship is far beyond his age. When I play with Matthew, it's like playing with a musician with many years of experience. Always a perfect gentleman, Matthew's personality shines through in every performance. He obviously loves what he is doing!
There is something I like about talking to journalists that really goes beyond promotion because you aren't just talking to the journalist, but you are talking through them to people who presumably are fans of the Rolling Stones. The interviews give you a chance to say a few things and maybe clear up some of the things people read about the band.
Matthew: Shall I remind you of some of the choicest remarks you made about me when I arrived here? Because they live in my memory as fresh as the day they were spoken. Mary: Oh, Matthew. What am I always telling you? You must pay no attention to the things I say. When they kiss, it is a long kiss, all the more passionate for being delayed far longer than it should have been.
We use the word 'synoptic' to talk about Matthew, Mark, and Luke, and it really means 'seeing together,' because they all have a similar perspective. Matthew and Luke - whoever wrote those Gospels - used Mark as a focus and as a basic story. So all of them have a lot in common.
The age of the book is not over. No way... But maybe the age of some books is over. People say to me sometimes 'Steve, are you ever going to write a straight novel, a serious novel' and by that they mean a novel about college professors who are having impotence problems or something like that. And I have to say those things just don't interest me. Why? I don't know. But it took me about twenty years to get over that question, and not be kind of ashamed about what I do, of the books I write.
I follow my own nose. So I read things that are different. People will always say to me, "Have you read Robert S. Bosco's latest novel?" or "Have you read so and so's history of Peru, which is reviewed in the New York Review of Books and the New York Times and has a buzz about it?" I don't even know what you're talking about. I'm like from another planet. I'm a pygmy from the jungle.
Matthew is the only gospel that uses the Sermon on the Mount, for example, because that's the new Moses making a new interpretation of the law on a new mountain. So then you begin to put all these things together, and I don't know how you can make sense out of that book if you don't know the Jewish background.
The lovely thing is, if Marvel had a Spider-Man movie over at Sony or something, they own the rights to the character, and the editors and producers make suggestions and get notes and things. But you're talking about Matthew Vaughn and Jane Goldman. They're two of the best people in the world. The notes are just things like, "This is absolutely brilliant."
We have the same genetic code for all living creatures. We have a large number of genes that are manifestly the same, but with detail differences - they look like different drafts of the same book. In extreme cases, like a human and a beetroot, it's like the difference between Matthew and Luke's Gospel - clearly they tell the same story, but with different words. Whereas with a human and a chimp, it's like two different printings of Matthew, with a few typos in one.
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